Edward Bruce was born in 1879 in Dover Plains, New York. Though he enjoyed painting at a young age, he pursued a career in law and graduated from Columbia Law School in 1904. He practiced law in New York and in Manila, Philippines and was actively involved in international issues.
In 1923 Bruce gave up his career in law and business and began to paint, particularly landscapes. He and his wife Peggy spent the next six years in Anticoli Carrado, Italy where he studied painting from his friend and fellow artist Maurice Sterne. Bruce returned to the United States in 1929 and settled in California, exhibiting his artwork to much public and critical praise. In addition, Bruce was an avid collector of Chinese art.
In 1933 Bruce was appointed Chief of the newly established Public Works of Art Project, a federal government New Deal program within the U.S. Treasury Department, that employed artists to decorate numerous public buildings and parks…In 1940 he was appointed to the Commission of Fine Arts by President Franklin Delano Roosevelt.
Bruce received many honors and awards during his lifetime both for his work as an artist and for his capable and dedicated administration of federal arts programs. Despite poor health, he continued his work for the Section of Fine Arts until shortly before his death in 1943.
On December 8, 1933, the Advisory Committee to the Treasury on Fine Arts met to decide the details of the Public Works of Art Project (PWAP), the first of the New Deal art programs. The PWAP came at a crucial moment for federal support of the arts during the Great Depression. As artist Olin Dows (1904–1981) recalled, “If the first crash [i.e. Depression] art program had not been so carefully thought out and expertly organized, I doubt that other programs would have been undertaken. The man mainly responsible was Edward Bruce.” Bruce, an advisor to the Treasury Department, hosted the meeting at his home. First Lady Eleanor Roosevelt was present as were such arts leaders as Juliana Force and Forbes Watson, who worked with Bruce to organize the Public Works of Art Project.
History of the New Deal Art Projects~ http://www.wpamurals.com/history.htm
The New Deal Art Registry~ http://www.newdealartregistry.org/Home.html
The figure first appeared in white marble at the Paris Salon of 1893 as ‘La Nature mystérieuse et voilée se découvre devant la Science’ and was acquired by the faculty at l’Ecole de Médecine in Bordeaux. Barrias returned to the theme a few years later exhibiting a related sculpture at the 1899 Salon, simply titled ‘La Nature se dévoilant’. Following in the spirit of pioneers of polychromy such as Charles-Henri-Joseph Cordier and Eugène Cornu this figure was carved using expensive and luxurious materials such as Algerian onyx for the drapery, lapis lazuli for the ribbon and malachite for the scarab. This figure is now in the collection of the Muse d’Orsay. A final version in white marble was made in 1902 and acquired by the École de Medicine in Paris. https://lapada.org/
Nature Revealing Herself To Science~