[Betty] Parsons’s role as a leading promoter of abstract art is well known. Less well known is that she was an artist.
“Betty led a double life,” a nephew, William P. Rayner, said. “Being an artist was her first priority. That’s why she was such a good dealer and that’s why her artists liked her.” http://www.nytimes.com/1992/06/28/nyregion/betty-parsons-s-2-lives-she-was-artist-too.html?pagewanted=all
Once referred to as “the den mother of Abstract Expressionism,” Betty Parsons was an early advocate of the great Abstract Expressionists, including Pollock, Rothko, Reinhardt, Still and Newman, long before they all achieved notoriety. Her midtown gallery, which opened in 1946 (and closed every summer so that Parsons could focus on her own art), gave the Abstract Expresionist artists their first large-scale exposure, making it one of the most prestigious art galleries in New York. In its later years, the Parsons Gallery did much to promote the works of many gay, lesbian and bisexual artists, including Agnes Martin, Ellsworth Kelly, Jasper Johns and Robert Rauschenberg. http://www.theartstory.org/gallery-betty-parsons.htm
“I’ve learned a great deal about business, but I wasn’t a businesswoman,” Betty Parsons told Grace Lichtenstein in a profile that originally ran in the March 1979 issue of ARTnews, published just three years before Parsons’s death, in 1982. http://www.artnews.com/2017/06/16/from-the-archives-betty-parsons-gallerist-turned-artist-takes-the-spotlight-in-1979/
Throughout her storied career as a gallerist, she maintained a rigorous artistic practice, painting during weekends in her Long Island studio. Parsons’ eye for innovative talent stemmed from her own training as an artist and guided her commitment to new and emerging artists of her time, impacting the canon of Twentieth-Century art in the United States. Includes slideshow and biography~ http://www.alexandergray.com/artists/betty-parsons?view=slider#2
When Jack Roosevelt Robinson stepped onto Brooklyn’s Ebbets Field on April 15, 1947, he not only changed the face of professional baseball in America. In ways subtle and profound — ways that have been debated, dissected and celebrated in books, films, popular songs, academic circles and casual conversations in the long decades since — he changed the nation itself.
Here, LIFE.com offers a selection of both classic and, in some cases, rare pictures that paint a portrait of a man whose dignity, competitive fire and grace under pressure set him indelibly and inevitably apart from his peers and his rivals.
What artist is perhaps best known for the two bronze lions that mark the entrance to the Art Institute of Chicago Building?
In 2000, the AIA recognized one of which architect’s buildings as the fourth most significant structure of the twentieth century?
Answers here~ https://schristywolfe.com/2015/01/31/january-31/
What 18th century illustrator, botanist, and entomologist had the plant Ehretia named in his honor?
What eminent early 20th century Hungarian-Indian painter has been referred to as “the Indian Frida Kahlo”?
Answers here~ https://schristywolfe.com/2015/01/30/january-30/
Johann Joachim Quantz (1697-1773)
This painter played an important role in the formative years of the New York School, but did not achieve recognition for his own work until late in his career.
Despite 27 years of clashes with Disney, this artist and children’s book author rose through the ranks to become both illustrator and screenwriter before finally leaving.
Answers here~ https://schristywolfe.com/2015/01/29/january-29/
Arthur Rubinstein made his first United States tour in 1906 when he was only 19 years old. He became one of the world’s foremost concert artists.
Rubinstein was born in an Lodz, Poland, on January 28, 1887. He made his first public performance at the age of seven. Four years later, the child prodigy was sent to Berlin to be presented to the great violinist, Joseph Joachim. Impressed with the boy’s amazing talent, Joachim offered to assume responsibility for Rubinstein’s cultural and musical education. At the age of thirteen, Rubinstein debuted formally in Berlin with the Berlin Philharmonic at a concert featuring the Mozart A major and Saint-Saens G minor concertos. In 1906, he made his American debut, performing with the Philadelphia Orchestra at Carnegie Hall. His success here initiated a tour of the United States that included over 40 concerts.