The Studios at MASS MoCA

The Studios at MASS MoCA Residency Program Spring/Summer 2018

Artist & Writer Residencies hosted by MASS MoCA’s Assets for Artists Program
Application for Sessions from April 4, 2018 – October 2, 2018

Application Deadline: January 8, 2018 11:59pm. No application fee. (Please note that if you are eligible to apply for a free 6-week residency — with travel assistance — for artists in Puerto Rico affected by Hurricane Maria, please go to http://bit.ly/2B27wST to apply by December 18, 2017.)

MASS MoCA invites artists and writers to apply for residencies from 1 week to 8 weeks in length…We welcome applications from artists in all career stages, income levels, and disciplines (painters, writers, fiber artists, printmakers, performers, designers, photographers, filmmakers, etc.) whose practice allows them to work quietly (no power tools in the private studios, and no music out loud – headphones only). Groups/collectives may apply to work on joint projects. The studios have light-duty ventilation, so an art practice generating strong fumes cannot be accommodated.
http://massmoca.org/event/studios/

Full Cost~ $650/week
Financial Aid~ All applicants will be considered for subsidies based on artistic merit, readiness to benefit from the residency, and financial need.
Application Deadline~ January 8, 2018, 11:59pm. Click here to apply.

New York Art Residency and Studios (NARS)

The New York Art Residency and Studios (NARS) Foundation Artist in Residency Program supports emerging and mid-career artists and curators working across all disciplines through three and six-month residencies. The program is open to both International and US-Based artists, creating a shared space for artistic dialogue and international cultural exchange for an extended period of time.

NARS offers 24/7 access to furnished, private or shared studio spaces (280 – 325 sq ft) in our diverse artist community in Sunset Park, Brooklyn. Residents are provided with administrative, curatorial, and professional support to explore and expand the scope of their artistic practice through research, dialogue, and production of new projects. Public presentation opportunities include a curated exhibition in the NARS gallery, bi-annual Open Studios, and the Entree/Encore program, through which artists can introduce and share research and work through artist talks, discussions, screenings, workshops, and performances.

Please note: The studio is a work space only – housing is NOT provided.

How to Apply Online applications must be submitted by the date specified. Applicants will not be able to access the application past that the deadline.

ELIGIBILITY: The program is open to all international and national visual artists with an active professional practice of at least three years. All information submitted on the application form, C.V. and support materials must be in English. Current students are not eligible.

APPLICATION FEE: A non-refundable application fee of $35 (US) is required with each application. Payment must be submitted via credit card through the online application form payment system.

Read more here~ http://www.arpnewyork.org/about.html
For additional information or questions, please contact applications@narsfoundation.org

“Capturing a City’s Emotion in the Days After 9/11”

nyt

By James Estrin Sep. 7, 2016
Nina Berman photographed the aftermath of the attacks on the World Trade Center on Sept. 11, 2001. Later she put some of those images together in diptychs and triptychs.
Ms. Berman lives in New York and is a member of the photographer-owned photo agency Noor. She spoke with James Estrin about her post-Sept. 11 work as well as her projects “Purple Hearts — Back From Iraq” (Trolley, 2004) and “Homeland” (Trolley, 2008). Their conversation has been edited for brevity and clarity.

Read more: Continue reading

July 14, 1916~ The Dada Manifesto

Richard Boix. Da-da (New York Dada Group). 1921. Ink on paper. 11 1/4″ x 14 1/2″ (28.6 x 36.8 cm)
Museum of Modern Art / Katherine S. Dreier Bequest

On July 14, 1916, the poet Hugo Ball proclaimed the manifesto for a new movement. Its name: Dada. Its aim: to “get rid of everything that smacks of journalism, worms, everything nice and right, blinkered, moralistic, europeanised, enervated.” This aim could be achieved simply by saying: “Dada.”

Dada~ Born February 5, 1916            100th anniversary of DADA~

  Max Ernst. Murdering Airplane. 1920. Collage. 2 1/2” x 5 1/2” (6.35 cm × 13.97 cm). Private collection.

Photographer Captures 100 Female Artists In Their Homes And Studios

A great portrait is more than just a frozen reflection of the subject’s appearance. It’s a chance moment, blanketed in natural light, in which the subject’s authentic self is visible in her expression, her stance, her aura. A great portrait blurs the line between a subject and her surroundings, all contributing equally to the overall impression of a singular human being.

Photographer Barbara Yoshida captured not one great portrait, but 100. And to make it all the more glorious, her subjects are all female artists, groundbreaking in their own right.

Source: Photographer Captures 100 Female Artists In Their Homes And Studios | HuffPost

Leonardo da Vinci: Died May 2, 1519

death

Francis I Receives the Last Breaths of Leonardo da Vinci
by Jean-Auguste-Dominique Ingres, 1818 • Petit Palais, Paris, France

We know that Leonardo, who had come to France at the invitation of Francis I, died in Amboise in 1519. The undoubtedly fictitious story of his death in the presence of the king comes from The Lives by Vasari. This work, which appeared in 1550, celebrates the excellence of Italian painting following an ascending curve that starts with Cimabue and ends with Michelangelo and Raphael. http://www.petitpalais.paris.fr/en/oeuvre/francis-i-receives-last-breaths-leonardo-da-vinci

Residencies for artists working on political, social, global and economic issues

OPEN CALL
The Embassy of Foreign Artists  is a unique place for artists to live, work, conduct research, and share ideas. Our spaces inspire all stages of the creative process, from initial experimentation and reflection to the presentation of more finished work…EoFA is a crucial part of Geneva’s artistic community, sought out by established and emerging artists both in Switzerland and abroad.
http://www.eofa.ch/en/   http://www.eofa.ch/en/residency/

Applications are now open, you must submit it before the 30th of April 2017, at midnight, local time (UTC+2). http://www.eofa.ch/en/applications/

Source: Residencies for artists working on political, social, global and economic issues. – Embassy of Foreign Artists

Christians celebrate the resurrection of Jesus on Easter Sunday, two days after Good Friday, the day of his crucifixion. It is the central tenet of Christian theology. The Resurrection of Christ has been portrayed by artists for 2,000 years; I thought it would be appropriate at Easter to take an (obviously lightning fast) overview of how some painters have depicted it. (Click image to enlarge).

GreekAnonymous
The Resurrection
11th century
Mosaic
Monastery of Hosios Loukas, Greece

Psalter

Anonymous
Manuscript Leaf with the Resurrection, from a Psalter
13th century
Tempera, ink, gold, and silver on parchment
Metropolitan Museum of Art, New York

AlabasterAnonymous
Paneled altarpiece section with Resurrection of Christ
15th century
English Nottingham alabaster with remains of colour
Walters Art Museum, Baltimore, MD

Andrea della Robbia (1435–1525)OLYMPUS DIGITAL CAMERA
Resurrection
15th century
Enamelled Terracotta
Bode-Museum, Berlin, Germany

FrancescaPiero della Francesca (1420-1492)
The Resurrection of Jesus Christ
1463
Mural in fresco and tempera
Museo Civico, Sansepolcro, Italy

Raphael (1483-1520)Raphael
The Resurrection of Jesus Christ
1499-1502
Oil on panel
São Paulo Museum of Art, Brazil

RubensPeter Paul Rubens (1577-1640)
The Resurrection of Christ
1611-1612
Oil on panel
Antwerp Cathedral, Belgium

Blake

William Blake (1757-1827)
Christ Appearing to His Disciples After the Resurrection
1795
Monotype hand-colored with watercolor and tempera
National Gallery of Art, Washington DC

ManetÉdouard Manet (1832–1883)
The Dead Christ with Angels
1864
Oil on canvasMetropolitan Museum of Art, New York City

Sir Edward Coley Burne-Jones (1833–1898)
The Morning of the Resurrection
1886
Oil paint on wood
Tate Gallery, London, UKThe Morning of the Resurrection 1886 by Sir Edward Coley Burne-Jones, Bt 1833-1898