1978 SPECIAL CITATION for distinguished service to the arts (Posthumous)~
NAXOS: George Szell~ http://www.naxos.com/person/George_Szell_38224/38224.htm
“Szell stories”—tales of his irascibility, hauteur and genius—are still popular when musicians gather to drink and dish after concerts. Pianist Glenn Gould referred to Szell’s “Dr. Cyclops” reputation and nearly walked out of his one and only collaboration with the conductor. (“That nut’s a genius” was Szell’s personal appraisal of Gould.) In 1946, his first year as music director of the Cleveland Orchestra, Szell fired 22 of the 94 musicians in the group, and he later dismissed his brilliant principal oboist of almost two decades for a single insubordinate comment at a rehearsal. Most of his players were terrified of him; some frankly despised him. After Szell’s death, one Cleveland violinist refused to cut his hair, letting it grow down to his waist in posthumous rebuke to the martinet who could no longer object.
And yet Szell’s accomplishments in Cleveland cannot be overstated. He summed up his approach succinctly three years before his death. “My aim in developing the Cleveland Orchestra has been to combine the finest virtues of the great European orchestras of pre-World War II times with the most distinguished qualities of our leading American orchestras,” Szell wrote. “We put the American orchestra’s technical perfection, beauty of sound, and adaptability to the styles of various national schools of composers into the service of warmhearted, spontaneous music-making in the best European tradition.” And indeed, such was his legacy.