In 1932, with this unsentimental, straightforward approach in mind, Cunningham became one of the co-founders of the Group f/64, which aimed to “define photography as an art form by a simple and direct presentation through purely photographic methods”. ~Lumière On Line

Her photographs helped change the way we perceive and therefore represent the people she photographed, from quaint, picturesque peasants to individuals with dignity and purpose in the modern world. ~Prints & Photographs Reading Room, LOC

Because her photographic activity was not reported in Selma newspapers and was completely unknown outside her family at her death, her images were apparently not intended to influence Alabamians’ ideas about race and culture. Instead, they are most appropriately viewed as Keipp’s personal appreciation of rural and small-town Alabama life and a means of artistic and perhaps social discovery.
~Encyclopedia of Alabama

[Harriet Chalmers Adams] traversed Asia and attended Haile Selassie’s coronation as emperor of Ethiopia. During World War I, she was the first female journalist allowed to photograph the French trenches, where she stayed for months. ~nationalgeographic.co.uk

Between 1905 and 1909, Gurrey produced a series of fifty portraits of Native Hawaiians and other young men and women of mixed-race heritage, largely depicting people from the Kamehamaha School. These portraits were exhibited at the 1909 Alaska-Yukon-Pacific Exposition in Seattle, Washington, and some were shown at the San Francisco Exposition (1915).
~Smithsonian National Anthropological Archives