1764–72 / Polychrome woodblock print; ink and color on paper, with embossing / 11 1/4”x8 1/8” / The Met
Courtesan Senri Receiving a Love Letter
Suzuki Harunobu (1725?-1770) played a pivotal role in the evolution of Japanese printmaking during its great period — the last half of the i8th and the first years of the 19th century. In the final years of his relatively brief life, he opened up a new dimension of expression in that tradition of graphics by introducing many colors to what had essentially been a mono-chromatic art form.
A Woman Sweeping up Her Love Letters
Just 20 or so years previously, the invention of so-called benizuri-e had made it possible to print ukiyoe in three or four colors, but already it was becoming possible to print about ten different colors on a single sheet of paper. It was Harunobu who first applied this new technique to ukiyoe prints. Such prints were called nishiki-e.
A Caged Bird and a Love Letter
Harunobu died in 1770, only five years after introducing the nishiki-e print. However, in those last few years of his life, he produced over one thousand print designs, chiefly depictions of willowy young girls, and also a fair percentage of shunga (erotic prints), as most ukiyo-e artists did. He is known to have produced at least seven shunga volumes.
Suzuki Harunobu / ukiyo-e.org
Harunobu from the Museum of Fine Arts, Boston / April 24 – June 24, 2018 / Abeno Harukas Art Museum
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Chakaia Booker (Born 1953)
African-American sculptor best known for her work using tires as a medium
Urban Butterfly / 2001 / Rubber tires / 57”x53”
Kiki Smith (Born 1954)
German-born American artist’s work includes sculpture, printmaking, photography, drawing, and textiles
Lilith / 1994 / Bronze with glass eyes / 31 1/2”x27”x17 1/2”