Sarah Hall Ladd joined the Oregon Camera Club in September 1899, and, by early 1901, a number of her works were on exhibition in San Francisco. In 1903, leading New York photographer Alfred Stieglitz formed Photo-Secession, a group of elite American photographers that never numbered more than 105 members, and both Sarah Hall Ladd and Lily White were included among the select membership. ~The Oregon History Project

Farnsworth’s pictures were reproduced most frequently during the 1890s. They appeared in the American Amateur Photographer…Photographic Times…and Sun and Shade…They were included in two deluxe portfolios of photogravures, issued on the occasion of Berlin’s annual International Exhibition of Amateur Photography in 1896 and 1897. Two years later, the Camera Club of New York also featured one of her gravures in its portfolio American Pictorial Photography I. ~Luminous-Lint

Sarah Sears was born in Cambridge, Massachusetts, into a prominent Boston family. Trained as a painter, she received prizes for her watercolors…She began taking photographs in the 1890s, and pursued a photographic career between 1900 and 1909. ~icp.org

In July 1902, Camera Notes, the periodical [Alfred Stieglitz] edited, ran a photogravure of her image Charcoal Effect…Stieglitz invited Devens to become a member of his elite group, the Photo-Secession, and included her work in its first show at New York’s National Arts Club in 1902. ~Luminous-Lint

Rose Clark (1852–1942) and Elizabeth Flint Wade (1849–1915) were late 19th-century/early 20th-century American photographers. They are best known for the photographs they exhibited under their joint names, either as “Rose Clark and Elizabeth Flint Wade” or as “Misses Clark and Wade”.
~Wikipedia

Sarah James Eddy (May 3, 1851 – March 29, 1945) was an American artist and photographer who specialized in the platinotype process, also known as platinum prints. She was active in abolition, reform, and suffragist movements, and was a philanthropist as well as instrumental in the founding of the Rhode Island Humane Society. ~Wikipedia

As the nineteenth century drew to a close, Catharine Weed Barnes Ward had established herself as a tireless champion of women photographers. Photography had been long regarded as an exclusive ‘men only’ profession, and some male society and club members threatened to resign if women were granted admittance. Mrs. Ward fired back that these societies should offer women “a fair field and no favor,” and that photography should ultimately be judged by the quality of the work and not the gender of the photographer. ~ http://historiccamera.com/

Clover held a good deal [of] pain, despite her perfect-seeming privileged upbringing, she still was human and had immense feelings of loss. She carried her baggage and photography was a way for her to express herself and her longing for human connection.
~ https://www.oursphotomag.com/blog/marian-hooper-adams-1880

Emma Jane Gay (1830 – March 15, 1919) (also known as E. Jane Gay) was an American woman who devoted her life to social reform and photography. She is notable for her photographs of the Nez Perce, which she took during a federal expedition led by American ethnologist and anthropologist Alice Cunningham Fletcher. ~Wikipedia