1927 / Oil on canvas / 20”x16” / Smithsonian American Art Museum, DC
See also: March 17~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/17/march-17-womens-history-month-in-visual-arts/
c.1935-1940 / Oil on canvas / 49 3/8”x39 1/2”
The Johnson Collection, Spartanburg, SC
See also: March 16~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/16/march-16-womens-history-month-in-visual-arts/
c.1900 / Oil on canvas / 13”x9 4/5” / Private collection
Besides her own paintings, Boch held one of the most important collections of Impressionist paintings of her time. Popular lore says that Van Gogh sold only one painting (The Red Vineyard) in his lifetime and that it was to Anna Boch. Although Boch did indeed buy this painting, Vincent actually ‘sold’ quite a lot of work during his lifetime.
See also: March 14~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/14/march-14-womens-history-month-in-visual-arts/
1884 / Watercolor and gouache on paper / 31”x24” / National Museums Liverpool, Walker Art Gallery, UK
See also: March 13~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/13/march-13-womens-history-month-in-visual-arts/
1883 / Oil on canvas / 17”x14 3/5” / Lillehammer Kunstmuseum, Norway
See also: March 12~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/12/march-12-womens-history-month-in-visual-arts/
Early 1880s / Oil on board / 20”x14” / Marianne North Gallery, Kew Gardens, London, UK
See also: March 11~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/11/march-11-womens-history-month-in-visual-arts/
c.1780 / Oil on canvas / 25”x21” / Royal Academy of Arts, London
From 2018~ Two of the Founding Members of the Royal Academy Were Women. Who Were They?
https://frieze.com/article/two-founding-members-royal-academy-were-women-who-were-they
See also: March 8~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/08/march-8-womens-history-month-in-visual-arts/
1672 / Oil on canvas / 62 2/5”x44 1/2” / Collection Parish of Cascais, Portugal
See also: March 7~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/07/march-7-womens-history-month-in-visual-arts/
c.1640 / Oil on canvas / 47 1/4”x40 1/5” / Private collection
“The Criminally Overlooked Talent of Baroque Painter Michaelina Wautier”~
https://hyperallergic.com/455577/the-criminally-overlooked-talent-of-baroque-painter-michaelina-wautier/
Review of “Michaelina Wautier, 1604-1689: Glorifying a Forgotten Talent”~
https://oudholland.rkd.nl/index.php/reviews/19-review-of-glorifying-a-forgotten-talent-2018
See also: March 6~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/06/march-6-womens-history-month-in-visual-arts/
c.975 / Illuminated manuscript / 15 3/4”x10 1/4” / Girona Cathedral, Catalonia, Spain
Ende was a nun who worked as an artist on a collection of manuscripts at a Spanish monastery in the tenth century. The texts are copies of commentaries on the Apocalypse which were compiled in 786 by a monk named Beatus of Liebana. Ende signed her work with the Latin words pintrix et D[e]i aiutrix, “paintress and helper of god.”
https://www.brooklynmuseum.org/eascfa/dinner_party/heritage_floor/endeThe Girona Beatus is a 10th century illustrated manuscript of the Commentary on the Apocalypse by a Spanish monk, Saint Beatus of Liébana. A theologian and geographer, Beatus’ commentary explained the Apocalypse as depicted in the Book of Revelations and its importance to the state of the Catholic church.
https://exhibits.library.ucsc.edu/exhibits/show/havc-winter2015/religious-books/the-apocalypse–then-and-now
See also: March 3~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/03/march-3-womens-history-month-in-visual-arts/
The Misty Miss Christy 