Harmony in Blue and Gold: The Peacock Room by James McNeill Whistler
1876-1877 / Oil paint and gold leaf on leather and wood
167 5/8″x398″x239 1/2″ / Freer Gallery of Art, Washington, DC
1876-1877 / Oil paint and gold leaf on leather and wood
167 5/8″x398″x239 1/2″ / Freer Gallery of Art, Washington, DC
1995 / Oil on board / 24 4/5″x26 2/5″ / Warrington Museum & Art Gallery, UK
1991 / Acrylic on canvas with fabric collage and African fabric borders
65″x45″ / Emma Amos/Ryan Lee Gallery, New York, NY
Emma Amos, Painter Who Challenged Racism and Sexism
https://www.nytimes.com/2020/05/29/arts/emma-amos-dead.html

The profits from the family’s textile business provided the sisters with a lifelong allowance that insured their financial independence and funded their many purchases. In Paris, the Cone sisters met Pablo Picasso and Henri Matisse and began to collect their works when modern art was still not widely known, let alone appreciated. The sisters’ adventurous spirit in collecting over the next forty years resulted in the formation of one of the most important collections of modern art in America. Eventually, the women gave about 3,000 works of art to the [Baltimore Museum of Art], where they may be seen today. They also donated 242 artworks to the Weatherspoon.
FROM Weatherspoon Art Museum, Greensboro, NC
1941 / Front room, Claribel Cone’s apartment / Marlborough Apartments, Baltimore, MD
1932 / Tempera on gessoed canvas mounted on wood / 24″x36″
Munson-Williams-Proctor Arts Institute, Utica, New York
1943-44 / Oil on canvas / 85″x42″ / The Art Institute of Chicago, IL
c.1100-c.1200 / Willow and paulownia wood with painting and gilding / 46″x43 3/4″x29″
Rijksmuseum, Amsterdam, Netherlands; on loan from the Asian Art Society in The Netherlands
2003 / Gouache on paper / 13 3/4″x19 3/5″ / The International Museum of Children’s Art, Oslo, Norway
2020 / Acrylic on paper / 9 2/5″x7″ / Collection of the artist
1983 / Black paint on Corten steel / 30′ high / 1101 Vermont Avenue NW, Washington, DC