72”x36” / Cotton fabrics, stenciled, photo silk-screened. Hand and machine pieced, hand appliquéd, hand quilted
National September 11 Memorial Museum, NYC
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East Village resident Drunell Levinson…announced the September 11 Quilts Memorial project on a website she created especially for that purpose. Calling on volunteers to submit 3’x 6’ or 3’x 3’ quilt panels, she left the choice of materials and the interpretation to the individual artists…By September 10, 2002, the project consisted of 94 unique quilts accompanied by artists’ statements, photographs, memorabilia, emails, and a dedicated website. ~https://www.911memorial.org/tribute/the-september-11-quilt-project
Photographs are from “September 11 Quilts”
See more at https://www.september11quilts.org/index.html
Previous September 11 posts:
By James Estrin Sep. 7, 2016
Nina Berman photographed the aftermath of the attacks on the World Trade Center on Sept. 11, 2001. Later she put some of those images together in diptychs and triptychs.
Ms. Berman lives in New York and is a member of the photographer-owned photo agency Noor. She spoke with James Estrin about her post-Sept. 11 work as well as her projects “Purple Hearts — Back From Iraq” (Trolley, 2004) and “Homeland” (Trolley, 2008). Their conversation has been edited for brevity and clarity.
Read more: Continue reading
Composed in 1953 (eight years after the city’s bombing, and coinciding with the end of the American occupation of Japan), its six inner movements were inspired by six paintings by Iri and Toshi Maruki (the score’s original title was The Hiroshima Panels ), framed by a Prelude and Elegy. http://www.arkivmusic.com/classical/Name/Masao-Ohki/Composer/148971-1
MARUKI GALLERY FOR THE HIROSHIMA PANELS
Paintings bring Japan’s hellish aftermath into vivid focus
Against Forgetting: Three Generations of Artists in Japan in Dialogue about the Legacies of World War II
Hiroshima Peace Memorial Museum WesSite~ http://hpmmuseum.jp/?lang=eng
The modern world was born on a printing press. Once essential to communication, the 500-year-old process is now in danger of being lost as its caretakers age. From self-proclaimed basement hoarders to the famed Hatch Show Print, Pressing On: The Letterpress Film explores the question: why has letterpress survived in a digital age?
Worlds of each character emerge as unusual narratives—joyful, mournful, reflective and visionary—are punctuated with on-screen visual poetry, every shot meticulously composed. Captivating personalities blend with wood, metal and type as young printers strive to save this historic process in a film created for the designer, type nerd, historian and collector in us all.
via Pressing On: The Letterpress Film
A great portrait is more than just a frozen reflection of the subject’s appearance. It’s a chance moment, blanketed in natural light, in which the subject’s authentic self is visible in her expression, her stance, her aura. A great portrait blurs the line between a subject and her surroundings, all contributing equally to the overall impression of a singular human being.
Photographer Barbara Yoshida captured not one great portrait, but 100. And to make it all the more glorious, her subjects are all female artists, groundbreaking in their own right.
Source: Photographer Captures 100 Female Artists In Their Homes And Studios | HuffPost