c.1931 / Oil on canvas / 43 1/16”x37 1/16” / Philadelphia Museum of Art
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c.1936 / Oil on canvas / 25 5/8”x25 5/8” / Tate Modern, London
Zanele Muholi (Born 1972)
South African artist and self-described visual activist
Kehinde Wiley (Born 1977)
Applies the visual vocabulary of heroic portraits to contemporary subjects
Grant Wood (1891-1942) One of three leaders of the American Regionalist movement
Hubert Stowitts (1892-1953) Dancer, film actor, painter, designer, and metaphysician
Charles was a designer with an eye for form. Ray was an artist with an eye for color. They complemented each other on projects like coat hangers, films, their namesake chairs, and large architectural projects. Through four decades of creative work, they revolutionized design and created an indelible mark on American History. The duo was not without faults, but the pair proved to be inseparable and inspirational. They were the Eameses.
The Eames studio—part workshop, part circus— was a partnership of two free spirits: one, an architecture school dropout who never got his license; the other, a painter trained by Hans Hofmann who used objects or any other surface as her canvases. They shunned the term “artist” as pompous.
Charles and Ray Eames arrived in Los Angeles in 1941, a year after they met at the Cranbrook Academy of Art. Charles was married to his first wife, Catherine at the time, but Ray began assisting him and Eero Saarinen in their designs for the Museum of Modern Art’s Organic Design in Home Furnishings Competition, and soon he divorced Catherine and married Ray.
There is always a karmic danger in marrying someone with whom you committed adultery. The women at the company almost uniformly describe him as charismatic. At one point (that we know of), Charles was looking to leave Ray, and was only stopped because the woman confesses, she couldn’t do that to Ray. (https://ageofthegeek.org/2011/11/23/eames-the-architect-and-the-painter-or-why-feminism-matters/ ), Pasadena Art & Science Beat,
Their partnership, which obliterated the distinctions between private and professional lives, inspired numerous contemporary working marriages…Charles and Ray, architect and artist, wanted to do everything — disciplinary boundaries meant nothing to them — and, by and large, succeeded.
Helen Frankenthaler (1928-2011), American pivotal in the transition from Abstract Expressionism to Color Field painting http://www.frankenthalerfoundation.org/helen/biography
Yayoi Kusama (Born 1929), Japanese self-described “obsessional artist” employs painting, sculpture, performance art, and installation https://www.britannica.com/biography/Yayoi-Kusama
“We Talk to John Waters and Pat Moran About Divine’s 70th Birthday” (2015)
His friends remember the legendary drag queen
Milstead met maverick film director & good friend, John Waters, at high school in Baltimore, and the two combined to star in and direct several ultra low budget, taboo breaking cult films of the early 1970s. Their first efforts included Roman Candles (1966), Eat Your Makeup (1968) and Mondo Trasho (1969)….however, their most infamous work together was the amazing Pink Flamingos (1972), in which Divine starred as “Babs Johnson”, the “filthiest person alive” living in a pink trailer with her egg-eating grandmother, chicken-loving son and voyeuristic daughter.