March 22, 1895~ First private screening of a projected motion picture

Sortie d’usine (Workers Leaving the Lumière Factory)
by Louis Lumière

1895 / Silent film documentary / Running time: 46 seconds / http://www.institut-lumiere.org/

None of them are dated, the case it seems of most of Lumiéres’ films. A contemporary report talked about the film shot on March 19 featuring a horse, so that rules out one version, which has a dog but sans horse. The other two versions must be judged by which looks more likely to have shot in March, from the workers’ clothes and the shadows they cast. What this uncertainty almost certainly means is that, after making what’s said to be the world’s first film, the Lumière brothers also made the world’s first remake, Fremaux joked.
https://variety.com/2017/film/global/thierry-fremaux-lumiere-artistry-louis-lumiere-unifrance-1201960812/

Sortie d’usine – Lumière – Les 3 versions HD~https://youtu.be/qvgPEiw_q04

Previous March 22 posts:

March 22~ Women’s History Month in visual arts

Randolph Caldecott: Born on March 22, 1846

March 22~

March 22~ Retrospective Edition

March 22~ Broadway Edition

Artist Birthday Quiz for 3/22~

Hispanic Artists~September 29

Mallasa  by  María Luisa Pacheco

1980 / Oil on canvas / 50”x39” / Museum of Republic Bank Art Collection, Bogota, Colombia

 

Corona de Espina  by
Rubén Ortiz Torres

1991 / Lithograph and Woodcut
/ 20 7/8”x14 3/4”
/ Edition of 40

Pride Month~ June 30

 

Zanele Muholi (Born 1972)
South African artist and self-described visual activist
https://www.guggenheim.org/artwork/artist/zanele-muholi

Bester V (Mayotte) / 2015 / Silver Gelatin Print / Paper: 23 3/4″x20″

 

 

 

 

Kehinde Wiley (Born 1977)
Applies the visual vocabulary of heroic portraits to contemporary subjects
http://akkad-design.com/KehindeWiley/Gallery/index_Bio.html

Three Graces / 2005 / Oil and enamel on canvas / 72″x96″

Pride Month~ June 9


Grant Wood (1891-1942)
One of three leaders of the American Regionalist movement
http://archive.boston.com/ae/books/articles/2010/11/07/candid_examination_of_iconic_painter_grant_wood/

Parson Weems’ Fable / 1939 / Oil on canvas / 38 3⁄8” x50 1⁄8”

Hubert Stowitts (1892-1953) Dancer, film actor, painter, designer, and metaphysician
http://www.queer-arts.org/archive/jan_98/stowitts/biography.html

Work of Stowitts for “The Fox-God”, an opera in 3 acts / 1939 / Mounted color plate from painting / 15 1/4”x13”

Love & War~ May 25

Charles & Ray Eames

(Learn more by clicking on embedded hyperlinks)

Charles was a designer with an eye for form. Ray was an artist with an eye for color. They complemented each other on projects like coat hangers, films, their namesake chairs, and large architectural projects. Through four decades of creative work, they revolutionized design and created an indelible mark on American History. The duo was not without faults, but the pair proved to be inseparable and inspirational. They were the Eameses.

The Eames studio—part workshop, part circus— was a partnership of two free spirits: one, an architecture school dropout who never got his license; the other, a painter trained by Hans Hofmann who used objects or any other surface as her canvases. They shunned the term “artist” as pompous.

Charles and Ray Eames arrived in Los Angeles in 1941, a year after they met at the Cranbrook Academy of Art. Charles was married to his first wife, Catherine at the time, but Ray began assisting him and Eero Saarinen in their designs for the Museum of Modern Art’s Organic Design in Home Furnishings Competition, and soon he divorced Catherine and married Ray.

There is always a karmic danger in marrying someone with whom you committed adultery. The women at the company almost uniformly describe him as charismatic. At one point (that we know of), Charles was looking to leave Ray, and was only stopped because the woman confesses, she couldn’t do that to Ray. (, Pasadena Art & Science Beat, https://ageofthegeek.org/2011/11/23/eames-the-architect-and-the-painter-or-why-feminism-matters/ )

Their partnership, which obliterated the distinctions between private and professional lives, inspired numerous contemporary working marriages…Charles and Ray, architect and artist, wanted to do everything — disciplinary boundaries meant nothing to them — and, by and large, succeeded.

The Work of Charles and Ray Eames: A Legacy of Invention
AD Classics: Eames House / Charles and Ray Eames
The Love Letters of Charles & Ray Eames

March 27~ Women’s History Month in visual arts

 

 

 

 

 

 

 

 

 


Helen Frankenthaler (1928-2011),
American pivotal in the transition from Abstract Expressionism to Color Field painting     http://www.frankenthalerfoundation.org/helen/biography

Nature Abhors a Vacuum / 1973 / Acrylic on canvas / 103 1/2”x112 1/2”

Yayoi Kusama (Born 1929), Japanese self-described “obsessional artist” employs painting, sculpture, performance art, and installation     https://www.britannica.com/biography/Yayoi-Kusama

Aftermath of Obliteration of Eternity / 2009 / Wood, metal, glass mirrors, plastic, acrylic paint, LED lighting system, and water / 163 1/2”x163 1/2”x113 1/4”

Artist Birthday Quiz for 1/29~

This painter played an important role in the formative years of the New York School, but did not achieve recognition for his own work until late in his career.

Despite 27 years of  clashes with Disney, this artist and children’s book author rose through the ranks to become both illustrator and screenwriter before finally leaving.

Answers here~ https://schristywolfe.com/2015/01/29/january-29/

Artist Birthday Quiz for 1/7~

Which French Naturalist painter and printmaker was elected in November 1900 to the Fine Arts Academy of the French Institute, one of the youngest painters to receive this honor?

Which American artist became a rising star in the 1980s for his graphite and charcoal series “Men in the Cities”, which depicted smartly dressed men and women flailing in awkward postures?

Answers here~ https://schristywolfe.com/2016/01/07/january-7/