Al Hirschfeld 1903-2003
What Seventeenth Century painter explained that, to him, various subjects made different demands on an artist and required very different expressive means to properly fulfill them?
What artist–renowned for drawings, paintings, prints, collages, and sculpture–drew the famous 1976 New Yorker cover “View of the World from 9th Avenue”?
Answers here~ https://schristywolfe.com/2015/06/15/june-15/
What British author and illustrator, best known for his humorous cartoon drawings in the 1930s and 1940s, was once a salesman of advertising space for the Daily Telegraph?
What politically radical graphic artist of the 1930s went on to acclaim as an illustrator of dozens of children’s and nature books?
Answers here~ https://schristywolfe.com/2015/06/14/june-14/
Time for Beany! 9-24-50 (2 of 2)~ https://youtu.be/TUSGHun-WKc
In 1949, Clampett created “Time for Beany,” a 15-minute daily live puppet show for KTTV in Los Angeles. Played by legendary voice actor Daws Butler, Beany was a cheerful lad who flew with the help of his propeller-driven beanie. His devoted friend was Cecil the Sea-Sick Sea Serpent – voiced by the great Stan Freberg…”Time for Beany” quickly gained a following and graduated to daily syndication as part of the short-lived Paramount Television Network in an extended half-hour format.
By 1961, “Time for Beany” had been transformed from a live-action puppet show into a cartoon series, re-titled “Beany and Cecil” (ABC, 1962) and produced and directed by Clampett through his own Bob Clampett Productions…Although only a single season of “Beany and Cecil” was produced, the cartoon resided in syndication on the network’s daytime children’s lineup from spring 1962 through fall 1966.
>>>>>>>>>>>>>>> http://www.tcm.com/tcmdb/person/337477|0/Bob-Clampett/biography.html <<<<<<<<<<<<<<<
This Philippine painter is best remembered for painting landscapes, portraits, and everyday scenes with people depicted as simple yet regal in their daily activities.
This artist worked on the classic ‘Mickey Mouse’ newspaper strip, and is the artist that shaped Mickey’s comics character and gave him his first big adventures.
Answers here~ https://schristywolfe.com/2015/05/05/may-5/
Myron Waldman (April 23, 1908-February 4, 2006) was an American animator, best known for his work at Fleischer Studio…He started his first career work in 1930 at Fleischer Studio. At Fleischer he worked on Betty Boop, Raggedy Ann, Gulliver’s Travels, the animated adaptations of Superman, and Popeye. He was head animator on two Academy Award nominated shorts, Educated Fish (1937) and Hunky and Spunky (1939).
Composer Amilcare Ponchielli was born in Italy in 1834. He started composing operas while still a student at the Milan Conservatory. After graduating in 1854, he held various positions over the years, including professor of composition at the Conservatory; his pupils included Giacomo Puccini and Pietro Mascagni. His most famous opera is “La Gioconda”, written in 1876. It is mainly remembered for its ballet, Dance of the Hours.
Dance of the Hours stands out as the only operatic ballet from this genre to have established a life of its own both inside the concert hall and in pop culture…Perhaps the most iconic use of this music is in Disney’s 1940 film “Fantasia”, where it underscores the questionable talents of a dance company comprised of hippos, ostriches, and alligators. Later it surfaced again as a number two hit on the pop charts in 1963, this time with words by parodist Alan Sherman. It may be difficult now to listen to this music without remembering the opening words of an alarmist child’s letter to his parents from summer camp: “Hello Mudda, Hello Fadda…”.
Ponchielli’s biography~ http://www.allmusic.com/artist/amilcare-ponchielli-mn0000496351/biography
Synopsis of “La Gioconda“~ https://www.thoughtco.com/la-sonnambula-synopsis-724264
This prominent late 19th/early 20th century illustrator’s most famous poster was a young woman dressed in a Navy uniform with the caption, “If I were a man, I would join the Navy”.
This American artist’s images depicted the flapper era in a way that both satirized and influenced the styles of the time, and have continued to define the jazz age for subsequent generations.
Answers here~ https://schristywolfe.com/2016/01/10/january-10/
Her vibrant colors and stylized designs pervade Disney animated films from 1943 to 1953 (such as THE THREE CABALLEROS, CINDERELLA, ALICE IN WONDERLAND AND PETER PAN). A prolific artist, during the 1950’s and 60’s she brought eye-appealing flair to children’s books (I CAN FLY), advertisements, theatrical set designs, and large-scale theme park murals and attractions (such as Disneyland’s IT’S A SMALL WORLD).
Though much of her art veers away from naturalism toward abstraction, she was one of Walt Disney’s favorite artists; he personally responded to her use of color, naïve graphics, and the storytelling aspect in her pictures…
About Mary~ http://magicofmaryblair.com/about-mary.htm
MARY BLAIR (1911-1978)~ http://www.sullivangoss.com/mary_Blair/
Winsor McCay: His Life and Art: San Francisco Silent Film Festival~ http://www.silentfilm.org/archive/winsor-mccay-his-life-and-art
Dream of the Rarebit Fiend~ http://www.comicstriplibrary.org/browse/results?author=2
Little Nemo in Slumberland~ http://www.gocomics.com/little-nemo
9 Films of Winsor McCay~ http://mentalfloss.com/article/54989/beyond-gertie-9-films-winsor-mccay