This prominent late 19th/early 20th century illustrator’s most famous poster was a young woman dressed in a Navy uniform with the caption, “If I were a man, I would join the Navy”.
This American artist’s images depicted the flapper era in a way that both satirized and influenced the styles of the time, and have continued to define the jazz age for subsequent generations.
Answers here~ https://schristywolfe.com/2016/01/10/january-10/
Her vibrant colors and stylized designs pervade Disney animated films from 1943 to 1953 (such as THE THREE CABALLEROS, CINDERELLA, ALICE IN WONDERLAND AND PETER PAN). A prolific artist, during the 1950’s and 60’s she brought eye-appealing flair to children’s books (I CAN FLY), advertisements, theatrical set designs, and large-scale theme park murals and attractions (such as Disneyland’s IT’S A SMALL WORLD).
Though much of her art veers away from naturalism toward abstraction, she was one of Walt Disney’s favorite artists; he personally responded to her use of color, naïve graphics, and the storytelling aspect in her pictures…
About Mary~ http://magicofmaryblair.com/about-mary.htm
MARY BLAIR (1911-1978)~ http://www.sullivangoss.com/mary_Blair/
Winsor McCay: His Life and Art: San Francisco Silent Film Festival~ http://www.silentfilm.org/archive/winsor-mccay-his-life-and-art
Dream of the Rarebit Fiend~ http://www.atlasobscura.com/articles/the-century-old-comic-strip-devoted-to-cheese-fueled-nightmares
Little Nemo in Slumberland~ http://www.gocomics.com/little-nemo
9 Films of Winsor McCay~ http://mentalfloss.com/article/54989/beyond-gertie-9-films-winsor-mccay
Jay Ward Facts~ http://biography.yourdictionary.com/jay-ward
The Art of Jay Ward~ http://www.cartoonbrew.com/classic/the-art-of-jay-ward-productions-a-visual-essay-by-darrell-van-citters-91053.html
Jay Ward Productions~ http://www.toonopedia.com/jayward.htm
Jay Ward Obituary~ http://articles.latimes.com/1989-10-13/news/mn-477_1_jay-ward
What Mad Magazine artist studied architecture at the University of Mexico, despite having already begun his cartooning career at age 17 by selling professionally to a wide array of Mexican publications?
What Post-Minimal painter also designed two large mosaic murals for the New York City subway system: one at the 59th Street/Lexington Avenue station and another at the 23rd Street/Ely Avenue Station?
Answers here~ https://schristywolfe.com/2015/09/06/september-6/
On the 17th of August 1908, Fantasmagorie, the first fully animated feature film was released in Paris by the Gaumont company. Created by Emile Cohl, Fantasmagorie is considered one of the masterpieces of animated cinema and of early cinema as a whole. Done in a white-on-black style, reminiscent of a film negative, the film broke with the realist tradition emerging in live action at the time. It was much more stylized and fantastic, in some ways anticipating the surrealist movement of later decades.
In 1900 Max began to work as an errand boy at the Brooklyn Daily Eagle. By 1904 he was a staff artist. In 1905 he married his childhood sweetheart, Essie Gold; they had two children. After he left the Eagle, Max briefly did artwork for two companies and then became art editor of Popular Science Monthly in 1914. There his childhood interest in mechanical matters was reignited.
In fact, it was a mechanical problem that pulled Max Fleischer into the field of animation. Early animation was frequently very choppy. Max theorized that if live-action footage were traced, frame by frame, fluid motion could be achieved. He enlisted the help of his brothers Dave and Joe, and the three developed the Rotoscope, a camera mounted under a piece of frosted glass with a crank to advance the film, so each frame could be traced.
It took the brothers a week to build the Rotoscope, but it was a full year before they finished their first cartoon. Dave donned a clown suit, and Max and Joe filmed him. Then they traced the clown on the Rotoscope. Work on the cartoon was completed in 1916, and a patent for the Rotoscope came through a year later.
The Fleischers put popular, modern music at the center of many of their films, building entire cartoons around jazz legends such as Cab Calloway, Louis Armstrong and Don Redman. These cartoons often featured the Fleischers’ signature combination of live action and animation; in fact the earliest known footage of Cab Calloway in performance can be seen in the Fleischer classic Minnie the Moocher.
In 1929 the Studio made a major agreement with Paramount that would allow Paramount to distribute all Fleischer films. That same year the Studio changed its name to ‘Fleischer Studios.’
OUT OF THE INKWELL compilation~ https://www.youtube.com/watch?v=ERprYNMQPhM
Max Fleischer NEWS SKETCHES compilation~ https://archive.org/details/max_fleischer_news_sketches
Lambiek Comiclopedia~ https://www.lambiek.net/artists/f/fleischer_max.htm