National Photography Month~ Day 31

The False Hellebore by Imogen Cunningham

1926 / Gelatin silver print / 8 3/4″x9″ / Imogen Cunningham Archives, Imogen Cunningham Trust, Berkeley, CA

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In 1932, with this unsentimental, straightforward approach in mind, Cunningham became one of the co-founders of the Group f/64, which aimed to “define photography as an art form by a simple and direct presentation through purely photographic methods”. ~Lumière On Line

National Photography Month~ Day 30

Brother William of the Shaker Settlement, Mount Lebanon, NY
by Doris Ulmann

c.1925-1927 / Platinum print / 8 1/16″x6″
Various collections including The J. Paul Getty Museum, Los Angeles, CA

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Her photographs helped change the way we perceive and therefore represent the people she photographed, from quaint, picturesque peasants to individuals with dignity and purpose in the modern world. ~Prints & Photographs Reading Room, LOC

National Photography Month~ Day 29

The Grape-Vine Swing by Mary Morgan Keipp

c.1900-1904 / Platinum print / Image: 8 1/4″x6 1/4″ / Smithsonian American Art Museum, DC

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Because her photographic activity was not reported in Selma newspapers and was completely unknown outside her family at her death, her images were apparently not intended to influence Alabamians’ ideas about race and culture. Instead, they are most appropriately viewed as Keipp’s personal appreciation of rural and small-town Alabama life and a means of artistic and perhaps social discovery.
~Encyclopedia of Alabama