National Photography Month~ Day 7

John Singer Sargent Drawing Ethel Barrymore by Sarah Choate Sears

About 1890 / Toned gelatin silver print / 9 15/16″x7 3/8″ / The J. Paul Getty Museum, Los Angeles, CA

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Sarah Sears was born in Cambridge, Massachusetts, into a prominent Boston family. Trained as a painter, she received prizes for her watercolors…She began taking photographs in the 1890s, and pursued a photographic career between 1900 and 1909. ~icp.org

National Photography Month~ Day 6

Charcoal Effect by Mary Devens

c.1900 / Photogravure / 11″x8″ / Various collections including Minneapolis Institute of Art, MN

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In July 1902, Camera Notes, the periodical [Alfred Stieglitz] edited, ran a photogravure of her image Charcoal Effect…Stieglitz invited Devens to become a member of his elite group, the Photo-Secession, and included her work in its first show at New York’s National Arts Club in 1902. ~Luminous-Lint

National Photography Month~ Day 5

Annetje by Rose Clark and Elizabeth Flint Wade

1898 / Platinum print / 8″x5″ / Library of Congress Prints and Photographs Division, D.C.

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Rose Clark (1852–1942) and Elizabeth Flint Wade (1849–1915) were late 19th-century/early 20th-century American photographers. They are best known for the photographs they exhibited under their joint names, either as “Rose Clark and Elizabeth Flint Wade” or as “Misses Clark and Wade”.
~Wikipedia

National Photography Month~ Day 4

Contentment by Sarah J. Eddy

c.1896 / Platinum print / 8″x6″ / Library of Congress Prints and Photographs Division, D.C.

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Sarah James Eddy (May 3, 1851 – March 29, 1945) was an American artist and photographer who specialized in the platinotype process, also known as platinum prints. She was active in abolition, reform, and suffragist movements, and was a philanthropist as well as instrumental in the founding of the Rhode Island Humane Society. ~Wikipedia

National Photography Month~ Day 3

Fox Talbots Cameras Lacock Abbey by Catharine Weed Barnes Ward

c.1892 / Gelatin silver negative / 7″x5″ / George Eastman Museum, Rochester, NY

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As the nineteenth century drew to a close, Catharine Weed Barnes Ward had established herself as a tireless champion of women photographers. Photography had been long regarded as an exclusive ‘men only’ profession, and some male society and club members threatened to resign if women were granted admittance. Mrs. Ward fired back that these societies should offer women “a fair field and no favor,” and that photography should ultimately be judged by the quality of the work and not the gender of the photographer. ~ http://historiccamera.com/

National Photography Month~ Day 2

Umbrella Tree at Smith’s Point [second view] by Marian Hooper Adams

1883 / Photograph / Image size: 4 3/5″x7 6/10″
Marian Hooper Adams photographs collection, photo no.50.72, Massachusetts Historical Society

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Clover held a good deal [of] pain, despite her perfect-seeming privileged upbringing, she still was human and had immense feelings of loss. She carried her baggage and photography was a way for her to express herself and her longing for human connection.
~ https://www.oursphotomag.com/blog/marian-hooper-adams-1880

National Photography Month~ Day 1

A Very Little Girl by E. Jane Gay

c.1890 / Courtesy Idaho State Historical Society, 63-221-114
Idaho State Archives, Idaho State Historical Society, Boise, ID

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Emma Jane Gay (1830 – March 15, 1919) (also known as E. Jane Gay) was an American woman who devoted her life to social reform and photography. She is notable for her photographs of the Nez Perce, which she took during a federal expedition led by American ethnologist and anthropologist Alice Cunningham Fletcher. ~Wikipedia