Making Her Mark, part 3

Continuing with photos from the recent Baltimore Museum of Art exhibition “Making Her Mark: A History of Women Artists in Europe, 1400-1800”: today I’m sharing artwork of plants and animals from the exhibition. As usual, I’ll link to online references for each painting so you can read more about them (and see professionally shot images).

[And here’s another reminder that the show will be traveling to the Art Gallery of Ontario in Toronto.]

^^ Clara Peeters (Flemish, c.1587-after1636 / A Still Life of Lilies, Roses, Iris, Pansies, Columbine, Love-in-a-Mist, Larkspur and Other Flowers in a Glass Vase on a Table Top, Flanked by a Rose and a Carnation, c.1610 / Oil on wood panel / National Museum of Women in the Arts, Washington, DC
https://nmwa.org/art/collection/still-life-lilies-roses-iris/

^^ Louise Moillon (French, c.1610–c.1696) / Still Life with a Basket of Fruit and a Bunch of Asparagus, 1630 / Oil on panel / Art Institute of Chicago, IL
https://www.artic.edu/artworks/62450/still-life-with-a-basket-of-fruit-and-a-bunch-of-asparagus

^^ Maria-Theresia van Thielen (Flemish, 1640–1706) / Still Life with Parrot, 1661 / Oil on canvas / Milwaukee Art Museum, WI
https://blog.mam.org/2015/04/07/from-the-collection-maria-theresia-thielen-still-life-with-parrot/

^^ Maria van Oosterwijck (Dutch 1630-1693) / Flower Still Life, 1669 / Oil on canvas / Cincinnati Art Museum, OH
https://www.cincinnatiartmuseum.org/art/explore-the-collection?id=20843376

^^ Rachel Ruysch (Dutch, 1664–1750) / A Vase of Flowers, 1689 / Oil on canvas / The San Diego Museum of Art, C
https://en.m.wikipedia.org/wiki/File:Ruysch-still-life-of-flowers.jpg

^^ Rachel Ruysch (Dutch, 1664–1750) / Still Life with Flowers, c.1700-1750 / Oil on panel / Private collection
https://www.artnet.com/artists/rachel-ruysch/stillleben-mit-blumen-recOsCPxCEE9stjPJTG8_A2

^^ Maria Sibylla Merian (German, 1647-1717) / Pineapple with Cockroaches in Metamorphosis Insectorum Surinamensium / Bound volume of hand-colored engravings and etchings, 1719 / Oak Spring Garden Foundation, Upperville, VA
Article from The Guardian~ https://bit.ly/3O4Sbbg

^^ Mary Moser (British, 1744-1819) / Flowers in a Basket: Chrysanthemums, Lilies, Nigella, Convulvulus, Delphiniums, 1765 / Opaque watercolor and watercolor on paper / Victoria and Albert Museum, London, UK
https://collections.vam.ac.uk/item/O45592/flowers-in-a-basket-watercolour-moser-mary/

^^ Anne Vallayer-Coster (French, 1744-1818) / Still Life with Lobster, 1781 / Oil on canvas / Toledo Museum of Art, OH
http://emuseum.toledomuseum.org/objects/55369/still-life-with-lobster

^^ Sarah Stone (British, c.1760-1844) / Blue and Yellow Macaw, c.1789 / Watercolor heightened with opaque watercolor and glazes, with a black ink border on paper / Art Gallery of Ontario in Toronto
https://www.artsy.net/artwork/sarah-stone-1762-1844-a-blue-and-yellow-macaw

^^ Mary Linwood (British, 1755-1845 / Tygress, after George Stubbs, c.1798 / Worsted wool needlework / Yale Center for British Art, New Haven, CT
https://collections.britishart.yale.edu/catalog/orbis:11688941

Part 1~ Making Her Mark at the Baltimore Museum of Art

Part 2~ Making Her Mark at the Baltimore Museum of Art

Designer Anna Maria Garthwaite

Anna Maria Garthwaite (1688-1763) was an English textile designer.
https://en.wikipedia.org/wiki/Anna_Maria_Garthwaite

Image from https://eastendwomensmuseum.org/blog/2020/9/23/anna-maria-garthwaite

In general, there is often scant surviving evidence for most textile artisans of the eighteenth century. One important exception, however, is Anna Maria Garthwaite, a designer who was based in London’s fashionable weaving district, Spitalfields. Unlike many women artists of the eighteenth century, Garthwaite was both highly regarded in her lifetime and remains well known today by modern historians who study historic dress and textiles.

Quote from The Minneapolis Institute of Art
https://collections.artsmia.org/art/143568/textile-anna-maria-garthwaite

Design for a woven silk, 1747 / Watercolor on paper / Victoria & Albert Museum, UK
↓ A waistcoat woven from this design is in the Costume Institute of The Met ↓

Waistcoat, 1747 / Silk, wool, metallic / Metropolitan Museum of Art, NYC

Silk damask dress, c.1775 / Museum at the Fashion Institute of Technology, NYC

Design for a woven silk, 1748-1749 / Watercolor on paper / Victoria & Albert Museum, UK

[4 embedded links above]

Further reading:
https://www.english-heritage.org.uk/visit/blue-plaques/anna-maria-garthwaite/
https://womeninspire.co.uk/blog/anna-maria-garthwaite-a-pioneer-in-british-design
https://twonerdyhistorygirls.blogspot.com/2010/05/intrepid-ladies-anna-maria-garthwaite.html

Autoportrait Day 322~ Anya Paintsil

A random survey of self-portraits created by women through the centuries

Welsh Ghanaian artist Anya Paintsil (born 1993)

1. But I have promises to keep, and miles to go before I sleep, 2023 / Acrylic, alpaca, mohair, wool, synthetic hair, human hair, plastic comb on hessian fabric / Vortic Curated digital platform

2. I Am the Predator, Not the Prey I, 2020 / Acrylic, wool, synthetic hair, human hair on hessian fabric / Tullie House Museum and Art Gallery, Carlisle, England

[3 embedded links above]

Autoportrait Day 217~ Alice Bailly

A random survey of self-portraits created by women through the centuries

Swiss painter and textile artist Alice Bailly (1872-1938)

1. Self-Portrait, 1928 / Oil on canvas / Foundation for Art, Culture and History, Winterthur, Switzerland

2. Mon portrait, 1929 / Charcoal on paper / Private collection

3. Self-Portrait, 1917 / Oil on canvas / National Museum of Women in the Arts, DC

[4 embedded links above]

Autoportrait Day 171~ Mary Seton Watts

A random survey of self-portraits created by women through the centuries

English artist, designer, and social reformer
Mary Seton Fraser Tytler Watts (1849-1938)

Self-Portrait, 1882 / Watercolor on paper / Watts Gallery, Compton, Surrey, UK

[3 embedded links above]