1920-1930 / Tempera on paper board / 18 7/8″x22 1/2″ / The Museum of Fine Arts, Houston, TX
c.1902-1904 / Embroidered linen; silk braid, ribbon, silk appliqué, buttons, beads; faces painted in watercolor on white kid stretched over card / 69 3/4”x16 1/4” / © Glasgow School of Art, Scotland
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Previous November 5 posts:
What turn-of-the-20th-century painter, although renowned for his winged figures of the “infinite beauty of angelic women”, never went to church and believed that formal religion smacked of hypocrisy and narrowness?
What sculptor cast his best-known work, the winged statue in Piccadilly Circus generally (though mistakenly) known as Eros, in aluminum — the first use of that metal on a public statue?
Answers here~ https://schristywolfe.com/2015/08/12/august-12/
What painter and printmaker in the New York School progressed from realism to abstraction and later to a highly influential style of cartoon realism?
What artist, metalsmith and educator approached metal like a collage artist, casting a series of elements and then assembling them in compositions?
Answers here~ https://schristywolfe.com/2015/06/27/june-27/
Abbott Handerson Thayer (1849-1921)
Sir Alfred Gilbert (1854-1934)
Philip Guston (1913-1980)
Olaf Skoogfors (1930-1975)