Hazel Scott by James Van Der Zee
1933 / Silver print / 13 1/2″x10 1/2″ / Private collection
Who was Hazel Scott?
https://www.classicfm.com/discover-music/instruments/piano/hazel-scott-jazz-entertainer-fought-racial-segregation/
1933 / Silver print / 13 1/2″x10 1/2″ / Private collection
Who was Hazel Scott?
https://www.classicfm.com/discover-music/instruments/piano/hazel-scott-jazz-entertainer-fought-racial-segregation/
Mona Lisa (opera) by Max von Schillings
“Mona Lisa was composed in 1914, apparently in a matter of weeks, following an earlier meeting in 1911 with the poet Beatrice Dovsky, whose play on the life of Lady Godiva Schillings had intended to set for the opera stage. When she handed him her poem Mona Lisa he was immediately inspired by the romantic, albeit entirely fictional, story of the woman with the most famously enigmatic smile in history, her husband and her lover – a classic operatic mĂ©nage a trois.”
~ https://momh.org.uk/exhibitions/max-von-schillings-and-the-opera-mona-lisa/
c.1503-19 / Oil on poplar panel / 30″x21″ / The Louvre Museum, Paris, France
1937 / 57 1/8″x40 3/8″ / Oil and sand on canvas / Private collection
Poster advertising a production of Newmarket, a racing comedy with music by F. Taylor and E. B. Jones performed by Alexander Loftusâs Musical Comedy Company at the OpĂ©ra Comique, London
~http://collections.vam.ac.uk/item/O712130/poster-hassall-john/
c.1896 / Color lithograph on paper / 30″x20″ / Various collections
1920 / Oil on canvas / 55 7â8″x74 1â4″ / Smithsonian American Art Museum, DC
Goyescas, Op. 11: V. Love and Death â ballade by Enrique Granados
“The title comes from Goyaâs Caprichos, and according to Granados: âAll of the themes of Goyescas are united in El amor y la muerte⊠intense pain, nostalgic love and the final tragedy â death. The middle section is based on the themes of Quejas o la maja y el ruiseñor and Los requiebros, converting the drama into sweet gentle sorrowâŠthe final chords represent the renunciation of happiness.â”
~ https://interlude.hk/music-art-goya/
1797-1798 / Etching, aquatint, and burin / Plate: Plate: 8 9/16″x5 7/8″ / Various collections
1916 / Oil on canvas / 96 1/2″x83 3/4″ / The Museum of Modern Art, NY, NY
1886 / Oil on canvas / 48″x34 1/4″ / Giuseppe Verdi Foundation Retirement Home for Musicians, Milan, Italy
1890 / Oil on cardboard / 24 4/5″x18 4/5″ / MusĂ©e Toulouse-Lautrec, Albi, France
1892-1893 / Oil on canvas / 16 11/16″x8 2/3″ / Centre Pompidou, Paris, France