Purcell wrote only one full opera, a short work supposedly designed for a girls’ school. The tragic story of Dido and Aeneas, with a libretto by Nahum Tate, has a perfection of its own. Dido’s final lament, before she kills herself, follows the model for such compositions established by Monteverdi eighty years before. Other stage works by Purcell are in the hybrid form now known as semi-opera, combining spoken drama and a musical element that in the concert-hall may be performed apart from its wider dramatic context.
BBC artist page for Henry Purcell~ http://www.bbc.co.uk/music/artists/ddea5540-2c7d-4266-8507-b367c2635d35
Dubbed by one critic “the Picasso of children’s literature” and once addressed by former President Bill Clinton as “the King of Dreams,” Maurice Sendak illustrated nearly a hundred picture books throughout a career that spanned more than 60 years. Some of his best known books include Chicken Soup with Rice (1962), Where the Wild Things Are (1963), and In the Night Kitchen (1970). Born in Brooklyn in 1928 to Jewish immigrant parents from northern Poland, Sendak grew up idolizing the storytelling abilities of his father, Philip, and his big brother, Jack. As a child he illustrated his ﬁrst stories on shirt cardboard provided by his tailor-father. Aside from a few night classes in art after graduating high school, Sendak was a largely self-taught artist.
More on Maurice Sendak~
Classical Music Fueled Maurice Sendak’s Creative Muse~
Early in his career, Wagner learned both the elements and the practical, political realities of his craft by writing a handful of operas which were unenthusiastically, even angrily, received. Beginning with Rienzi (1838-40) and The Flying Dutchman (1841), however, he enjoyed a string of successes that propelled him to immortality and changed the face of music. His monumental Ring cycle of four operas — Das Rheingold (1853-54), Die Walküre (1854-56), Siegfried (1856-71) and Götterdämmerung (1869-74) — remains the most ambitious and influential contribution by any composer to the opera literature.
The Brilliant, Troubled Legacy of Richard Wagner
A great music lover, Renoir was one of the first admirers of Wagner in France. At the beginning of 1882, when the painter was travelling in the south of Italy, he had the opportunity to visit Palermo where Wagner was staying. After two fruitless attempts, Renoir was finally introduced to the “maestro” who, the day before, had put the final notes to Parsifal.
The course of this meeting is well known thanks to a letter from Renoir to one of his friends, dated 15 January 1882:
Marian Anderson, contralto, was denied the right to perform at Constitution Hall by the DAR because of her color. Instead, and at the urging of Eleanor Roosevelt, Harold Ickes permitted her to perform at the Lincoln Memorial on April 9, 1939.
The message of Marian Anderson’s Lincoln Memorial concert~
Remembering Marian Anderson~ http://www.pbs.org/newshour/bb/remember-jan-june97-anderson_02-26/
Marian Anderson: A Life in Song~ http://www.library.upenn.edu/exhibits/rbm/anderson/
Composer Amilcare Ponchielli was born in Italy in 1834. He started composing operas while still a student at the Milan Conservatory. After graduating in 1854, he held various positions over the years, including professor of composition at the Conservatory; his pupils included Giacomo Puccini and Pietro Mascagni. His most famous opera is “La Gioconda”, written in 1876. It is mainly remembered for its ballet, Dance of the Hours.
Dance of the Hours stands out as the only operatic ballet from this genre to have established a life of its own both inside the concert hall and in pop culture…Perhaps the most iconic use of this music is in Disney’s 1940 film “Fantasia”, where it underscores the questionable talents of a dance company comprised of hippos, ostriches, and alligators. Later it surfaced again as a number two hit on the pop charts in 1963, this time with words by parodist Alan Sherman. It may be difficult now to listen to this music without remembering the opening words of an alarmist child’s letter to his parents from summer camp: “Hello Mudda, Hello Fadda…”.
Ponchielli’s biography~ http://www.allmusic.com/artist/amilcare-ponchielli-mn0000496351/biography
Synopsis of “La Gioconda“~ https://www.thoughtco.com/la-sonnambula-synopsis-724264