National Arts and Humanities Month~ October 16

Isabella and the Pot of Basil by John White Alexander

Then in a silken scarf,—sweet with the dews
Of precious flowers pluck’d in Araby,
And divine liquids come with odorous ooze
Through the cold serpent pipe refreshfully,—
She wrapp’d it up; and for its tomb did choose
A garden-pot, wherein she laid it by,
And cover’d it with mould, and o’er it set
Sweet Basil, which her tears kept ever wet.
~https://www.bartleby.com/126/38.html

1897 / Oil on canvas / 75 5/8″x36 1/8″ / Museum of Fine Arts, Boston, MA

Isabella, or The Pot of Basil was a poem written in 1820 by the English poet John Keats, who borrowed his narrative from the Italian Renaissance poet Giovanni Boccaccio. Isabella was a Florentine merchant’s beautiful daughter whose ambitious brothers disapproved of her romance with the handsome but humbly born Lorenzo, their father’s business manager. The brothers murdered Lorenzo and told their sister that he had traveled abroad. The distraught Isabella began to decline, wasting away from grief and sadness. She saw the crime in a dream and then went to find her lover’s body in the forest. Taking Lorenzo’s head, she bathed it with her tears and finally hid it in a pot in which she planted sweet basil, a plant associated with lovers.
~https://collections.mfa.org/objects/31098

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National Arts and Humanities Month~ October 10

https://cdm16075.contentdm.oclc.org/digital/collection/p15264dc/id/117
https://cdm16075.contentdm.oclc.org/digital/collection/p15264dc/id/116

Etta Cone and Claribel Cone

The profits from the family’s textile business provided the sisters with a lifelong allowance that insured their financial independence and funded their many purchases. In Paris, the Cone sisters met Pablo Picasso and Henri Matisse and began to collect their works when modern art was still not widely known, let alone appreciated. The sisters’ adventurous spirit in collecting over the next forty years resulted in the formation of one of the most important collections of modern art in America. Eventually, the women gave about 3,000 works of art to the [Baltimore Museum of Art], where they may be seen today. They also donated 242 artworks to the Weatherspoon.
FROM Weatherspoon Art Museum, Greensboro, NC

1941 / Front room, Claribel Cone’s apartment / Marlborough Apartments, Baltimore, MD

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Classical Music Month~ September 30

Georg Adam Scheid‘s music room by Josef Maria Auchentaller

Beethoven’s Symphony No. 6, known as the Pastoral Symphony, inspired…Auchentaller (1865-1949) to create a monumental pictorial program in 1898/99 to adorn the music room at the villa of his father-in- law, the silver jewelry manufacturer Georg Adam Scheid. The ensemble, consisting of five paintings, represents the first artistic-pictorial realization of all movements of a Beethoven symphony and is a singular example of the tradition of music rooms, which experienced its heyday around 1900.”
~https://www.leopoldmuseum.org/en/exhibitions/115/inspirational-beethoven

Left: Dance of the Fairies / Oil on canvas / 230 × 185 cm
The Victor & Martha Thonet Collection Galerie punkt12, Vienna, Austria

Right: Fairy by the Brook / Oil on canvas / 175×73 cm
The Victor & Martha Thonet Collection Galerie punkt12, Vienna, Austria

Photo montage of the Beethoven music room in Villa Scheid, 1898/99
© Andreas Maleta, from the Victor & Martha Thonet Collection Galerie punkt12, Vienna, Austria
Photo: AMP, Andreas Maleta Press & Publication, Vienna, 2020

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