What painter created a series in the late 1940s called Little Images: grid-like structures filled with markings that look like symbols or letters, none larger than three feet?
What celebrated Pop artist gravitated toward what he would characterize as the “dumbest” or “worst” visual item he could find, and then go on to alter or improve it?
This Spanish artist with a prolific output that includes over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, costumes — and even plays and poems — spent most of his adult life in France.
This late-blooming American expressionist painter and printmaker studied biochemical engineering at City College of New York for three years before switching to fine arts in his last year.
After working since the 1870s in the Impressionist style, this French painter and printmaker’s colors began to grow somber after 1900, reflecting his shift to portraying biblical, courtroom, and World War I scenes.
Per his request, this American installation artist and assemblage sculptor was buried in the front seat of his brown 1940 Packard Coupe with a dollar, a deck of cards, a bottle of Chianti, and the ashes of his dog.
This Italian Renaissance ceramist and sculptor was the nephew of Luca della Robbia and assumed control of the family workshop after his uncle’s death in 1482.
This 20th century Japanese painter practiced the nihonga style of painting, which uses traditional Japanese artistic conventions, techniques, and materials.
Which artist produced some of Italian Futurism’s most iconic paintings and sculptures, despite his premature accidental death during World War I?
Which contemporary Belgian artist was so taken by the way Japanese calligraphers placed paper on the floor and bent over to work that he adopted the method?
This late 17th century painter was one of the most sought-after Italian artists of the day and, until Pablo Picasso, the most prolific artist who ever lived.
This American sculptor went to Paris in 1950 to study; when he returned to the US he began to produce the junkyard scrap metal compositions he is known for.
Living only thirty-six years, and plagued by frequent illness, this painter rose from an obscure background to achieve fame in Paris during the eighteenth century.
This Swiss sculptor and painter is best known for the tall, unnaturally thin figures which he sculpted in the late 1940s, a period followed by his rapid rise to fame.
Which 18th century French sculptor’s designs of figure groups for the Sèvres Manufactory porcelain factory are better known than his large-scale sculptures?
Which American neoclassical artist is celebrated as the first female professional sculptor, credited with opening the field of sculpture to women?
The Misty Miss Christy 