Charles Rennie Mackintosh~ Born June 7, 1868

Charles Rennie Mackintosh (7 June 1868-10 December 1928) “was a Scottish architect, designer, water colourist and artist. He was a designer in the Post-Impressionist movement and also the main representative of Art Nouveau in the United Kingdom. He had considerable influence on European design. He was born in Glasgow…”
FROM https://alchetron.com/Charles-Rennie-Mackintosh-1221200-W

“Mackintosh was apprenticed to a local architect John Hutchison, but in 1889 he transferred to the larger, more established city practice of Honeyman and Keppie.

To complement his architectural apprenticeship, Mackintosh enrolled for evening classes at the Glasgow School of Art where he pursued various drawing programmes.”
FROM https://www.crmsociety.com/about-mackintosh/charles-rennie-mackintosh/

“The majority of Mackintosh’s architectural practice was supported by his wife Margaret Macdonald with whom he had studied at the Glasgow School of Art. Her mind was often responsible for the artistic flourish that became so integral to the aforementioned Mackintosh Rose motif. In his time as a professional architect, Mackintosh worked with his wife to design buildings ranging in use from residential, to commercial and religious.”
FROM https://www.archdaily.com/639483/spotlight-charles-rennie-mackintosh

“Despite success in Europe and the support of clients such as Blackie and Cranston, Mackintosh’s work met with considerable indifference at home and his career soon declined. Few private clients were sufficiently sympathetic to want his ‘total design’ of house and interior.

A move to the South of France in 1923 signalled the end of Mackintosh’s three-dimensional career and the last years of his life were spent painting. He died in London on 10 December 1928.”
FROM https://gsaarchives.net/collections/charles-rennie-mackintosh/

Design Museum~ https://designmuseum.org/designers/charles-rennie-mackintosh#toggle-submenu
Charles Rennie Mackintosh Society~ https://www.crmsociety.com/

 

Marion Post Wolcott: Born June 7, 1910

Wolcott

manwithstogieMarion Post Wolcott is best known for the more than 9,000 photographs she produced for the Farm Security Administration (FSA) from 1938 to 1942.1 This work is preserved at the Library of Congress Prints and Photographs Division and also available online. Before Wolcott became a government photographer, she earned her living making photographs for magazines and newspapers. Initially she worked freelance, but, as a staff photojournalist in 1937 and 1938, Wolcott broke gendertrain barriers in the newspaper darkroom. Then she worked for the Farm Security Administration, one of the largest news photography projects in the world.  students Although she worked professionally for only a few years, her artistry and perseverance have inspired many articles, books, and exhibitions and her photographs created a lasting record of American life on the eve of World War II.
FROM http://www.loc.gov/rr/print/coll/womphotoj/wolcottessay.html

The Photography of Marion Post Wolcott~
https://americanart.si.edu/artist/marion-post-wolcott-18332
Oral history interview with Marion Post Wolcott, 1965~
http://www.aaa.si.edu/collections/interviews/oral-history-interview-marion-post-wolcott-12262
Shorpy: M.P. Wolcott~ http://www.shorpy.com/image/tid/142

Edward Penfield: Born June 2, 1866

epportraitBicycleCatseptoo

“What many do not realize is that Penfield’s Harpers years account for less than a third of his thirty-four year career. During the decade after his self-retirement from Harper and Brothers, his freelance work was seen by millions of people on hundreds of magazine covers and advertisements.

Not a boisterous self-promoter like some of his contemporaries — he rarely gave personal interviews — Penfield preferred to live a quiet life near his ancestral stomping grounds in New York. But at the same time he was considered “that rare person among artists, an active citizen.” He volunteered for civic duties, spoke at womens’ clubs, taught at the Art Students’s League and served as president of the Society of Illustrators.

More than a poster artist, Edward Penfield was an illustrator, art editor, graphic designer, writer, painter, educator and mentor — an American Master.” FROM https://edwardpenfield.com/introduction/

Google Arts: https://artsandculture.google.com/entity/edward-penfield/m09rt2r_?categoryId=artist&hl=en
Edward Penfield posters~ https://digitalcollections.nypl.org/collections/posters-by-edward-penfield#/?tab=about
eptopper

Walter Richard Sickert: Born May 31, 1860

Persuasion

Sickert1Unlike the majority of the Camden Town Group, Walter Richard Sickert was recognised during his own lifetime as an important artist, and in the years since his death has increasingly gained a reputation as one of the most influential figures in twentieth-century British art…His art, like his personality, is multifaceted, complex and compelling.

The twenty-first century has seen a sustained period of Sickert research and exhibitions,TheRing crystallising his reputation as one of the most significant British artists of the early modern period.
FROM http://www.tate.org.uk/art/research-publications/camden-town-group/walter-richard-sickert-r1105345

Sickert2The most popular and famous theory as to the identity of Jack the Ripper…was first posited by author Stephen Knight in the 1970s.

He claimed the Ripper’s victims were really killed to cover up a scandalous secret marriage between the Queen’s son Prince Albert Victor, then second in line to the throne, and a Catholic prostitute named Annie Elizabeth Crook, who bore Albert’s child.

Knight got much of his information from Joseph Gorman-Sickert, who claimed to be the illegitimate son of painter Walter Sickert, himself a Ripper suspect.
FROM http://theunredacted.com/jack-the-ripper-the-royal-conspiracy/

Top 10 Stupidest/Weirdest Jack the Ripper theories~ http://swallowingthecamel.me/2013/11/10/top-10-stupidestweirdest-jack-the-ripper-theories/

W. Heath Robinson: Born May 31, 1872

RobinsonRobinson was born into a family of artists in 1872. His father, grandfather and uncle all made their livings through art, via drawing or engraving. Robinson was educated at Islington Art School and the Royal Academy. He illustrated dozens of books, from famous works like Donoutdoors Quixote and A Midsummer Night’s Dream to lesser-known volumes such as The Incredible Adventures of Professor Branestawm and Plantation Barn Dance.
FROM http://www.abebooks.com/books/illustration-art-uncle-lubin-william/w-heath-robinson.shtml

…in World War Two the machine created by British code breakers at Bletchley Park, the golfdriverspredecessor to the world’s first computer Colossus, was nicknamed Heath Robinson. It consisted of reels and spools, which had to be precisely aligned and timed in order for it to work.
FROM http://www.bbc.com/news/magazine-27813927

waterFor his own pleasure, he continued to paint in watercolours, experimenting with effects of light and colour. His importance, as an innovator in the fields of illustration and advertising, and perhaps more importantly as the heir of Rowlandson and Cruikshank in the British humorous tradition, has yet to be fully appreciated, and his work is poorly represented in public collections.
FROM http://heathrobinson.org/robinson/index.htm

Emanuel Gottlieb Leutze: Born May 24, 1816

WashingtonWashington Crossing the Delaware, 1851 • Emanuel Gottlieb Leutze
Oil on canvas; 149 x 255 in. (378.5 x 647.7 cm)

Leutze’s depiction of a critical moment during the American revolution has become one of the best known and most extensively published images in American history. He portrays George Washington, accompanied by some 2,500 of his troops, crossing the Delaware River about nine miles above Trenton, New Jersey, in a surprise attack on the Hessians. The strategic crossing took place after midnight on December 25, 1776; ice floes and a heavy snowstorm kept the American soldiers and their allies from reaching shore until daybreak, which Leutze captured with the morning star overhead.
http://www.metmuseum.org/toah/works-of-art/97.34

Crossing of the Delaware: http://www.mountvernon.org/research-collections/digital-encyclopedia/article/crossing-of-the-delaware/
Emanuel Gottlieb Leutze…German-born American historical painter whose picture Washington Crossing the Delaware (1851) numbers among the most popular and widely reproduced images of an American historical event.
http://www.britannica.com/EBchecked/topic/337776/Emanuel-Gottlieb-Leutze

Norma Bassett Hall, American printmaker: Born May 21, 1889

NBHOne

Norma Bassett Hall was an American woodblock printmaker who often depicted landscapes and outdoor scenes. She was born in Halsey, Oregon. In 1910, she become a member of the inaugural class of the Museum Art School in Portland, Oregon. After leaving Portland, she briefly taught in Milwaukee, Wisconsin, before continuing her education at the School of the Art Institute of Chicago from 1915-1918. She also studied privately with the noted British printmaker Mabel Royds, who introduced Norma to the Japanese method of printing woodcuts on rice paper with transparent watercolors. While studying at the SAIC, Norma Bassett met and would later NBHTwomarry Arthur William Hall, a fellow student and artist. Following their marriage, they made their home in Kansas, becoming deeply involved with the state’s flourishing printmaking culture and helping to found the Prairie Print Makers. Hall, the only female among the group’s eleven charter members, designed their distinctive logo, a monogram set within a stylized sunflower. Hall and her husband divided their time and subjects between the rolling hills of Kansas and the dramatic vistas of New Mexico. In 1944 the couple permanently relocated to New Mexico, living first in Santa Fe and eventually purchasing an estate near Alcade from which they operated an art school. Bassett Hall continued to work and teach from their estate until her death in 1957. ~FROM Wikipedia

Jordan Schnitzer Museum of Art~
http://jsma.uoregon.edu/jordan-schnitzer-museum-art-opens-first-solo-exhibition-norma-bassett-hall-1957
Biography~ https://www.annexgalleries.com/artists/biography/927/Hall/Norma
Artnet~ http://www.artnet.com/artists/norma-bassett-hall/past-auction-results

Gertrude Käsebier: Born May 18, 1852

GertrudeKasebier

Gertrude Käsebier was a leading member of the pioneering photographic known as Pictorialism, which emphasized a subjective, painterly approach to photography rather than a documentary one.  

Kasebier1Though she had long been interested in art, Käsebier only began her formal training at the Pratt Institute after her children entered high school. She planned to be a painter, but eventually switched to photography. Following classes in Paris and apprenticeships with a German photographic chemist, and a Brooklyn portrait photographer, Käsebier opened her own portrait studio in 1897.
FROM https://nmwa.org/art/artists/gertrude-kasebier/

Stieglitz included Käsebier as a founding member of the Photo-Secession, a group that argued for a more natural, less manipulated photograph. In 1899, he published five of her photos, declaring her “beyond dispute, the leading artistic portrait photographer of the day.”
GKFROM http://www.imaging-resource.com/news/2012/05/12/nearly-forgotten-mother-of-modern-american-photography-gertrude-kaeseb

Library of Congress Biographical Essay: http://www.loc.gov/rr/print/coll/womphotoj/kasebieressay.html
Library of Congress Online Catalog: http://www.loc.gov/pictures/related/?fi=name&q=K%C3%A4sebier%2C%20Gertrude%2C%201852-1934
Shorpy Photo Gallery: http://www.shorpy.com/gertrude-kasebier-photographs

Tamara de Lempicka~ Born May 16, 1898(?)


Who was she? De Lempicka shuffled the facts of her biography much as she  meddled with her birth date.


Her time was the 1920s: a period of transition, an era in which functionalism merged with fantasy and formal social structures lurched into the frenetic. In essence, De Lempicka was a classicist, having admired Renaissance painting since her adolescent travels in Italy. But she astutely combined traditional portraiture with advertising techniques, photographic lighting, vistas of the tower architecture of great cities.

In 1939, urged by Tamara, who was partly Jewish, Kuffner sold his estates in Hungary and they moved to the US. In New York, she tried abstract expressionism unsuccessfully, and was reduced to the role of a chic curiosity, “the painting baroness”.
FROM https://www.theguardian.com/artanddesign/2004/may/15/art

http://www.nytimes.com/books/99/10/24/reviews/991024.24vincent.html
http://culture.pl/en/artist/tamara-lempicka-tamara-de-lempicka

Richard Avedon: May 15, 1923-Oct 1, 2004

Mr. Avedon revolutionized the 20th-century art of fashion photography, imbuing it with touches of both gritty realism and outrageous fantasy and instilling it with a relentlessly experimental drive. So great a hold did Mr. Avedon’s fashion photography come to have on the public imagination that when he was in his 30’s he was the inspiration for Dick Avery, the fashion photographer played by Fred Astaire in the 1957 film “Funny Face.” In 1978 he appeared on the cover of Newsweek while a retrospective exhibition of his work was on display at the Metropolitan Museum of Art.
https://www.nytimes.com/2004/10/02/obituaries/richard-avedon-the-eye-of-fashion-dies-at-81.html

MoMA Collection~ http://www.moma.org/collection/artists/248?=undefined&page=1
International Photography Hall of Fame and Museum~ http://www.iphf.org/hall-of-fame/richard-avedon/

American Masters~ http://www.pbs.org/wnet/americanmasters/richard-avedon-about-the-photographer/467/
The Richard Avedon Foundation~ http://www.theavedonfoundation.net/

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