Jerry Poolaw (Kiowa), on leave from duty in the Navy
by Horace Poolaw
1944 / Photograph / ©Estate of Horace Poolaw
1944 / Photograph / ©Estate of Horace Poolaw
c.1910 / Gelatin silver print from 6 1/2″x8 1/2″ glass plate negative
Various collections including Museum of Photographic Arts, San Diego, CA
c.1902 / Photograph / Dimensions not available / Oklahoma Historical Society, Oklahoma City, OK
1897 / Photograph / Dimensions not available
Sir Henry Wellcome Collection, National Archives at Seattle, WA
1972 / Gelatin silver print / Paper: 9 15/16″x8 1/16″ / ©The Irving Penn Foundation
From the exhibition “PROOF: Photography in the Era of the Contact Sheet”
CONTACT SHEET: After a roll of film was developed, the negatives were cut into strips and printed by contact. The 36 exposures of a roll of 35 mm film or the 12 exposures of 2¼ inch film fit comfortably on an 8 x 10 inch sheet of paper. With an 8 x 10 inch enlarger, the same array of negatives could produce a so-called enlarged contact, often measuring 16 x 20 or 20 x 24 inches.
~ https://www.clevelandart.org/exhibitions/proof-photography-era-contact-sheet-collection-mark-schwartz-and-bettina-katz
Glenn Gould recording Bach’s Goldberg Variations
at Columbia Records 30th Street Studio, NYC, June 1955
1978 / Gelatin silver print / 11″x14″ / Photography West Gallery, Carmel, CA
1933 / Silver print / 13 1/2″x10 1/2″ / Private collection
Who was Hazel Scott?
https://www.classicfm.com/discover-music/instruments/piano/hazel-scott-jazz-entertainer-fought-racial-segregation/
2015 / Chromogenic print / 55″x51 1/2″ / Luis de Jesus Gallery, Los Angeles
2013 / Digital image / Project 562, Matika Wilbur