Baby Grand 1990 by John Lennon
Published 1988 / Serigraph on Arches paper / 15″x22″ / Various collections; edition of 300
Published 1988 / Serigraph on Arches paper / 15″x22″ / Various collections; edition of 300
1955 / Oil on canvas / 60″x36″ / Smithsonian American Art Museum, DC
1968 / Oil and chalk on canvas / 100 1/5″x295 1/4″ / Museum Ludwig, Cologne, Germany
1970 / Oil-based house paint and wax crayon on canvas / 118 1/8″x393 5/8″ / The Menil Collection, Houston, Texas
“Orpheus holds a central place in Twombly’s work and he comes back again and again. Orpheus made his first appearance in Twombly’s work after he heard the French musique concrete composer Pierre Henry’s cantata Le Voile d’Orphée, written in 1953. In Twombly’s work, the music was made manifest in three works: Treatise on the Veil I (1968), Veil of Orpheus (1968), and Treatise on the Veil II (1970).”
~https://interlude.hk/music-art-cy-twombly/
1919 / Gouache and oil (oil-transfer-technique) on linen
16 3/4″x21″ / Kunstmuseum Den Haag, Netherlands
Glenn Gould recording Bach’s Goldberg Variations
at Columbia Records 30th Street Studio, NYC, June 1955
Detail of PhotographSymphony: Mathis der Maler by Paul Hindemith
“Symphony: Mathis der Maler (Matthias the Painter) is among the most famous orchestral works of German composer Paul Hindemith. Music from the symphony was incorporated into, or reworked for, Hindemith’s opera Mathis der Maler, which concerns the painter Matthias Grünewald (or Neithardt).” ~Wikipedia
c.1512-15 / Oil on wood / A panel from the IsenHeim Altar, Musée Unterlinden, Colmar, France
1961 / Combine: metal, fabric, leather boot, tire tread, paint, tape on wood with chain and flashlight
33″x82″x21″ / San Francisco Museum of Modern Art, CA
1956 / Tempera on board / 19″x13 1/2″ / National Portrait Gallery,
Smithsonian Institution, DC; gift of Time magazine
1920 / Pencil on paper / 34.6 x 24.1 cm / Private collection
1936 / Oil on canvas / 19″x25 1/4″ / Art Institute of Chicago, IL