The prints and techniques of this Prague born-painter, etcher, and lithographer went through extensive changes as he traveled internationally, learning new methods wherever he went.
This painter, printmaker, and draftsman had a long, prolific, and highly successful career which extended from the late 19th century academic tradition to German Impressionism and finally Expressionism.
What Hungarian-born American painter, photographer, and educator was highly influenced by Constructivism and a strong advocate of the integration of technology and science into the arts?
What influential American feminist artist, author, and educator helped establish the Feminist Art Movement of the 1970s?
What member of the Impressionists group showed little interest in painting
plein air landscapes, favoring scenes in theaters and cafés illuminated by artificial light?
What Chinese Realism painter championed the revitalization of artistic expression through an integration of Western perspective and Chinese methods of composition?
Which painter’s portrait of Louis XIV in his coronation costume set the image of what a state portrait should be: column and background landscape, glistening drapes, solemn pose, intense colors?
Which artist conveyed Futurism’s fascination for the energy of modern life with his own personal style, approaching pure abstraction and rendering motion by showing simultaneous aspects of a moving object?
This 18th century painter believed that portraiture could rise above its traditional status as mere ‘face-painting’ by making reference to the great art of the past.
Until he began to get official recognition in his mid-forties, this French artist lived on a small allowance from his parents, who fondly regarded him as a talentless amateur.
What artist, a famous painter and draftsman in his own time and considered the most important in Dutch history, was also the most innovative printmaker of the seventeenth century?
What artist — a sculptor in wood who began to build furniture — believed that handcraft was secondary to design, saying he put into his work “a little of the hand, but the main thing is the heart and the head”?
In 1897, this painter led a group of 19 avant-garde artists that broke away from Vienna’s conservative Künstlerhaus (the main exhibition venue for contemporary art) to form a new movement: the Vienna Secession.
This sculptor’s later works included a monumental figure commemorating the bombing of Rotterdam and a monument to van Gogh at Auvers-sur-Oise.
What painter and sculptor settled in Paris in 1906 and rapidly established his own idiosyncratic style, with its easily recognizable elongated figures and heads, almond-shaped eyes, and simple, linear contours?
What realist artist, one of the most popular and also most lambasted in the history of American painting, created work which sparked endless debates about the nature of modern art?