Marie Anna Zacharias~ born November 11, 1828

Marie Anna Zacharias (November 11, 1828 – February 15, 1907) was a German art patron, amateur artist, and co-founder & deputy president of the Hamburg Kunstfreunde (Friends of Art), a society of Hamburg’s fine arts patrons formed in 1893 and attached closely to the Hamburger Kunsthalle art museum.

Marie Zacharias was the center of a large circle of intellectual and artistic people. She enjoyed music, played the piano, painted, drew, wrote about art and cultural history, and was well known for the musical evenings at her home where artists, merchants, and officials gathered together.

In 1893, Zacharias’ close friend [Hamburger Kunsthalle director] Alfred Lichtwark founded the Gesellschaft Hamburgischer Kunstfreunde. Collectors, art lovers, and amateurs gathered for an exchange of ideas, up-to-date information about the Hamburger Kunsthalle, and the new acquisitions of the collection. Once a year they held an exhibition which included art by the members.

The society published a yearbook from 1895-1912, which was designed by the members themselves. Each volume contained vignettes and illustrations contributed by members. Until her death in 1907, Zacharias was represented in almost every volume of the society’s yearbooks. Later in life she concentrated on woodcuts, and she wrote her memoirs, “Family, City and Children Stories”. Marie Zacharias died at the age of 78 years; until 14 days before her death she was still taking drawing lessons. Her work can be found in the Museum of Hamburg History, the State Archives, and the Hamburger Kunsthalle. Three portraits of Zacharias painted by Leopold von Kalckreuth in 1904 at the suggestion of Lichtwark are also in the collection of the Hamburger Kunsthalle.

Born November 5, 1783~ Caroline Tischbein

Caroline Tischbein (Wilken) ~ painter, illustrator, and writer ~ was born on this day in 1783.

Caroline Tischbein belonged to a family that produced more than 20 artists in three generations. Between 1770 and 1830, the women were well known as artists by their contemporaries. After that, the female members of the family fell into oblivion, although the male painters did not. The best known among them is Johann Heinrich Wilhelm Tischbein (1751-1829) who in 1787 shared a flat in Rome with Johann Wolfgang von Goethe, during which time Johann painted “Goethe in the Roman Campagna”.

Caroline and the other Tischbein women have been resurrected by art historian Prof. Dr. Martina Sitt, Professor of General Art History at the University of Kassel. For more than a year, under her leadership, the students at the Kunsthochschule Kassel researched these “disappeared artists” and used the results to mount an exhibition about them.

Caroline was the daughter of the Arolsen court painter Johann Friedrich August Tischbein and Sophie Tischbein. She received drawing lessons from her father, who later became director of the Academy in Leipzig (the city where Caroline would meet her future husband). Historian and professor Friedrich Wilken and Caroline met during his studies in Leipzig and married in 1806. The couple moved first to Heidelberg and later to Berlin; in both cities they traveled in intellectual and artistic circles. Caroline Tischbein died in Berlin on April 29, 1843. She left behind her memoirs which were written for her children but subsequently published.

In addition to Caroline, women painters from the Tischbein family included:
Elisabeth (Betty) Tischbein (1787-1867), another daughter of Johann Friedrich August Tischbein.
Amalie Tischbein (1756-1839), daughter of the Kassel court painter and academy professor Johann Heinrich Tischbein.
Sophia Antoinette Tischbein (1761-1826), daughter of Johann Jacob Tischbein and his wife, the painter Magdalene Gertrud Lilly.
Magdalene Margarethe Tischbein (1763-1836), sister of Sophia Antoinette

Top: portrait of Caroline Tischbein by her father Johann Friedrich August Tischbein (1750-1812)
Bottom: “Two Sisters” painted by Caroline Tischbein. The picture probably shows members of the Tischbein family, but their identity is unknown.

SOURCES~
“Disappeared artists”: University of Kassel  [link has since broken]
The women of the family Tischbein
Tischbein, Caroline (5 November 1783–1843)

Katsushika Hokusai: Born October 31(?), 1760

Katsushika Hokusai (c.October 31, 1760-May 10, 1849) was a Japanese artist, ukiyo-e painter, and printmaker during the Edo period. Born to an artisan family in present-day Tokyo, he began painting at a young age, and became apprenticed to a wood-carver as a teenager. At the age of 18, he was accepted into the studio of Katsukawa Shunsho, an artist of the ukiyo-e style, which was focused on the depiction of the booming merchant class, including courtesans, Kabuki actors, and sumo wrestlers. After Shunsho’s death, Hokusai began experimenting with other styles of art, including Western styles. But he didn’t fully develop his own signature technique until he was expelled from the Katsukawa School.

FROM http://www.artnet.com/artists/katsushika-hokusai/biography

Hokusai is best known for the woodblock print series Thirty-Six Views of Mount Fuji which includes the internationally iconic print The Great Wave off Kanagawa.

Hokusai created the monumental Thirty-Six Views of Mount Fuji both as a response to a domestic travel boom in Japan and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave off Kanagawa and Fine Wind, Clear Morning, that secured his fame both in Japan and overseas. While Hokusai’s work prior to this series is certainly important, it was not until this series that he gained broad recognition.

FROM https://en.wikipedia.org/wiki/Hokusai

Artwork~ https://ukiyo-e.org/artist/katsushika-hokusai
Artwork~ https://www.rijksmuseum.nl/en/rijksstudio/artists/katsushika-hokusai
Woodblock Prints in the Ukiyo-e Style~
http://www.metmuseum.org/toah/hd/ukiy/hd_ukiy.htm

https://www.theguardian.com/artanddesign/2017/may/19/hokusai-japanese-artist-late-blossoming-great-wave-mount-fuji

Gerald Brockhurst: October 31, 1890-May 4, 1978

Jeunesse Dorée by Gerald Leslie Brockhurst

1934 / Oil on board / 30”x24 4/5” / Lady Lever Art Gallery, National Museums Liverpool, UK

British-born painter and etcher who became an American citizen in 1949. Precociously gifted, an excellent draughtsman, and a fine craftsman, Brockhurst won several prizes at the Royal Academy Schools and went on to have a highly successful career as a society portraitist, first in Britain and then in the USA, where he settled in 1939, working in New York and New Jersey. He is best known for his portraits of glamorous women, painted in an eye-catching, dramatically lit, formally posed style similar to that later associated with Annigoni. As an etcher Brockhurst is remembered particularly for Adolescence (1932), a powerful study of a naked girl on the verge of womanhood staring broodingly into a mirror—one of the masterpieces of 20th-century printmaking.  ~Oxford University Press

“Dorette” and Gerald Leslie Brockhurst~
https://collections.tepapa.govt.nz/object/39559
Wikipedia~ https://en.wikipedia.org/wiki/Gerald_Brockhurst
Gerald Leslie Brockhurst painting the Duchess of Windsor~
https://www.npg.org.uk/collections/search/portrait/mw233820/Gerald-Leslie-Brockhurst?LinkID=mp08078&role=sit&rNo=13

Kerry James Marshall: Born October 17, 1955

“For me,” he said in his MCA Chicago lecture, “the thing that has the greatest transformative capacity in the art world today, in terms of what people expect to see when they go to the art museum, is a painting that has a black figure in it, because 95 percent of all the other paintings you see are going to have white figures in them. The whole history of representation is built on the representation of white folks. Now, all of that stuff is good, so you have to figure out how to get good like that, and then get in there on the terms that are relevant for now.” Marshall has done this “from the ground up,” as Metropolitan Museum curator Ian Alteveer put it, working through historical styles and genres, including Rococo love scenes, large-scale history paintings, and Impressionist plein air fetes.
http://www.artnews.com/2016/03/02/the-painter-of-modern-life-kerry-james-marshall-aims-to-get-more-images-of-black-figures-into-museums/?singlepage=1

http://hyperallergic.com/310477/how-kerry-james-marshall-rewrites-art-history/
http://www.nga.gov/content/ngaweb/Collection/artist-info.35534.html#biography

Artist Birthday Quiz for 10/2~

Which 18th century landscape painter and his brother, two of the many famous painters from the Dutch city of Dordrecht, were pupils of their father?

Which photographer studied painting in college but pursued photography instead, becoming best known for her portraits of VIPs and celebrities?

Answers here~ https://schristywolfe.com/2015/10/02/october-2/

Artist Birthday Quiz for 9/29~

What 16th century Venetian painter had an inscription in his studio that read “Michelangelo’s design and Titian’s Color”, seeking as he did to produce the compositional methods of Michelangelo while using the coloring of Titian?

What 17th century Italian artist’s practice of painting directly from posed models violated the idealism of Renaissance theory by establishing that painting could be an extension of everyday experience?

Answers here~ https://schristywolfe.com/2015/09/29/september-29/

Artist Birthday Quiz for 9/28~

Which French academic artist was the most popular portrait painter of his day, exhibiting at the Paris Salon for the first time in 1844 and appointed professor at the École des Beaux-Arts in 1864, where he taught until his death?

Which painter, who moved to New York in 1950 as he was dissatisfied with the Japanese contemporary art scene, was the first Japanese-American artist working in the abstract-expressionist style to receive international acclaim?

Answers here~ https://schristywolfe.com/2015/09/28/september-28/