Dame Eva Turner: Born March 10, 1892

A dramatic soprano with a voice of mammoth proportions, Eva Turner, though scarcely neglected in her native country, enjoyed many of her greatest successes abroad. Most closely identified with the title role in Turandot (which she first sang in Brescia only a month after its premiere), she brought to all of her roles a voice of both enormous size and great cutting power, topped with an unflagging ease in the highest register. While not always an illuminating actress, she approached all of her work with seriousness of purpose, thorough integrity and no small measure of excitement.
Biography and interview here~ http://www.bruceduffie.com/evaturner.html

William Etty: Born March 10, 1787

In the 1820’s, in his early career, Etty received critical acclaim.  An 1826 review for his ‘Choice of Paris’, described him as having talent that “no artist of the present day can equal”.  Etty continued to exhibit at the Royal Academy throughout his career but his work was not universally popular. His nudes were a particular source of criticism.  A review in the Times newspaper said, “nakedness without purity is offensive and indecent, and in Mr. Etty’s canvas is mere dirty flesh”.  Etty was seen by others as the best English painter of the nude, but he has never become a household name.
http://www.historyofyork.org.uk/themes/victorian/william-etty-artist

http://www.yorkartgallery.org.uk/exhibition/previous-exhibition-william-etty-art-and-controversy/

http://www.tate.org.uk/art/artists/william-etty-172

David Hare: March 10, 1917-December 21, 1992

DavidHareBiography~ https://www.guggenheim.org/artwork/artist/david-hare

Exhibition catalogue at Weinstein Gallery, September 2012~
https://issuu.com/weinstein_gallery/docs/david-hare-exhibit-catalogue

Tamarind lithographs~ https://tamarind.unm.edu/?s=David+Hare
New York Times obituary~
http://www.nytimes.com/1992/12/25/arts/david-hare-sculptor-and-photographer-dies-at-75.html

~Arts Advocacy Day~

Today, over 500 dedicated arts supporters from 44 states will come together in Washington, DC for the 29th annual Arts Advocacy Day: The National Arts Action Summit, the only national event that brings together a broad cross section of America’s cultural and civic organizations. These arts advocates represent a united effort to tell Capitol Hill how important the arts are to our communities, how much arts education means to our children, and how the arts improve our daily lives.
http://www.artsactionfund.org/about/about-us

2015-AAD-DigitalBanner

Here are the top legislative issues affecting the arts. Read about each and then take action to support their positive outcome.
Arts Education Policy and Funding:Improving Access to Arts Education for All Students
http://www.americansforthearts.org/by-program/reports-and-data/legislation-policy/legislative-issue-center/arts-education-policy-and-funding
Charitable Giving & Tax Reform: 
Encouraging Charitable Gifts and Tax Provisions to Support Community Access to the Arts
http://www.americansforthearts.org/by-program/reports-and-data/legislation-policy/legislative-issue-center/charitable-giving-tax-reform
National Endowment for the Arts: 
Promoting Creativity and Public Access to the Arts
http://www.americansforthearts.org/by-program/reports-and-data/legislation-policy/legislative-issue-center/national-endowment-for-the-arts-funding-for-arts-agencies
Visit the Legislative Issue Center to learn about other legislation impacting the arts
http://www.americansforthearts.org/by-program/reports-and-data/legislation-policy/legislative-issue-center
.

Anthony Caro: March 8, 1924-October 23, 2013

Sir Anthony Caro (1924–2013) played a pivotal role in the development of twentieth-century sculpture. In the early 1960s, he began making brightly painted, abstract steel structures that he positioned directly on the floor, the omission of a pedestal marking a radical shift in the dynamic between work and viewer. In addition to steel, he also produced works in bronze, lead, silver, stoneware, and wood, as well as on paper. Caro’s constant reinvention of the language of abstract sculpture, as well as his influential teaching at St. Martin’s School of Art in London, distinguished him as the successor to artists such as Henry Moore and David Smith, and as an innovative artist in his own right. Resolutely nonfigurative, his sculptures nevertheless operate as analogues for human experience. As art historian Rosalind Krauss has observed, “Caro rendered the human form not as it looked from the outside, but how it felt from the inside, with its relationships subjectively conditioned.”
https://gagosian.com/artists/anthony-caro/


Obituary, NYT~
http://www.nytimes.com/2013/10/25/arts/design/anthony-caro-sculptor-who-discovered-a-path-to-abstraction-dies-at-89.html

March 7, 1965: Selma to Montgomery Marches begin

Selma through the camera lens:
https://schristywolfe.com/wp-content/uploads/2015/03/barker.jpg

James Barker
These Rare Photos of the Selma March Place You in the Thick of History. James Barker, a photographer from Alaska, shares his memories of documenting the famed event:
http://www.smithsonianmag.com/history/rare-photos-selma-march-thick-history-180953874/?no-ist

LIFE

Charles Moore, Flip Schulke and Frank Dandridge
How LIFE Magazine Covered the Selma Marches in 1965. Fifty years after nonviolent protesters clashed with Alabama state troopers in Selma:

http://time.com/3720555/selma-bloody-sunday/

smartin

Spider Martin
Photographer Helped Expose Brutality Of Selma’s ‘Bloody Sunday’:
http://www.npr.org/blogs/codeswitch/2015/03/06/390943835/photographer-helped-expose-brutality-of-selmas-bloody-sunday


The Atlantic: “What LBJ Really Said About Selma” [click photo]:

lbj

Sarah Caldwell: Born on March 6, 1924

American opera visionary Sarah Caldwell founded the Opera Company of Boston in 1958. The company’s principal prima donna was Beverly Sills, and Placido Domingo was an unknown young tenor when he first sang with the company. Caldwell died on March 23 at the age of 82.
http://www.npr.org/templates/story/story.php?storyId=5311751

sc

 

Sarah Caldwell, impresario of Boston opera, dead at 82

Biography on Encyclopedia.com

Gioachino Rossini/“Il Barbiere di Siviglia”/Sills, Titus, Gramm, Price, Ramey & Sarah Caldwell/New York City Opera

Discography

Kiri Te Kanawa: Born on March 6, 1944

The internationally famed soprano, Dame Kiri Te Kanawa, was born Claire Mary Teresa Rawstron in the small New Zealand seaside town of Gisborne, where Captain James Cook first made landfall. Just at the edge of the international date line, it prides itself as the first city in the world to greet the sun. Here, the birth child of a native Maori man and a woman of European extraction was adopted at five weeks of age by a local couple, Tom and Nell Te Kanawa, he also a Maori and she with family ties to the British Isles. The Te Kanawas named their daughter Kiri, the Maori word for bell. She was to be their only child.

Her first performances were on a little stage jerry-rigged in the Te Kanawa’s house, complete with a curtain; “the curtains would come back,” she recalled, “and I’d get up and sing.” Without a television in the home, music and singing quickly became the primary entertainment. But although her mom played piano, from early on, Kiri eschewed command performances: “I was rather sort of miffy about it even then. I’d only sing when I felt like it.”

http://www.achievement.org/autodoc/page/tek0bio-1