1883 / Oil on canvas / 17”x14 3/5” / Lillehammer Kunstmuseum, Norway
See also: March 12~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/12/march-12-womens-history-month-in-visual-arts/
Early 1880s / Oil on board / 20”x14” / Marianne North Gallery, Kew Gardens, London, UK
See also: March 11~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/11/march-11-womens-history-month-in-visual-arts/
1870 / Photograph / Leipzig City History Museum, Saxony, Germany
See also: March 10~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/10/march-10-womens-history-month-in-visual-arts/
1819 / White marble / 25 3/5”x22 2/5”x11” / Louvre Museum, Paris, France
See also: March 9~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/09/march-9-womens-history-month-in-visual-arts/
c.1780 / Oil on canvas / 25”x21” / Royal Academy of Arts, London
From 2018~ Two of the Founding Members of the Royal Academy Were Women. Who Were They?
https://frieze.com/article/two-founding-members-royal-academy-were-women-who-were-they
See also: March 8~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/08/march-8-womens-history-month-in-visual-arts/
1672 / Oil on canvas / 62 2/5”x44 1/2” / Collection Parish of Cascais, Portugal
See also: March 7~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/07/march-7-womens-history-month-in-visual-arts/
c.1640 / Oil on canvas / 47 1/4”x40 1/5” / Private collection
“The Criminally Overlooked Talent of Baroque Painter Michaelina Wautier”~
https://hyperallergic.com/455577/the-criminally-overlooked-talent-of-baroque-painter-michaelina-wautier/
Review of “Michaelina Wautier, 1604-1689: Glorifying a Forgotten Talent”~
https://oudholland.rkd.nl/index.php/reviews/19-review-of-glorifying-a-forgotten-talent-2018
See also: March 6~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/06/march-6-womens-history-month-in-visual-arts/
c.1588? / Engraving / 13 1/4”x10 5/8” / Various collections, incl. Museum of Fine Arts, Boston, MA
Diana Scultori was born in Mantua, Italy and is one of the earliest known women printmakers.
https://www.nationalgalleries.org/art-and-artists/artists/diana-scultori
See also: March 5~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/05/march-5-womens-history-month-in-visual-arts/
c.1520 / Marble / 21 1/2”x23 1/4” / Museum of St. Petronio, Bologna, Italy
The Only Woman in the Renaissance’s Most Famous Record of Art History~
https://www.artsy.net/article/artsy-editorial-woman-renaissances-famous-record-art-history
Excerpts from Giorgio Vasari’s “Life of Madonna Properzia de’ Rossi,” sculptor of Bologna~
http://www.italianrenaissanceresources.com/units/unit-3/sub-page-03/excerpts-from-giorgio-vasaris-life-of-madonna-properzia-de-rossi-sculptor-of-bologna/
See also: March 4~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/04/march-4-womens-history-month-in-visual-arts/
c.975 / Illuminated manuscript / 15 3/4”x10 1/4” / Girona Cathedral, Catalonia, Spain
Ende was a nun who worked as an artist on a collection of manuscripts at a Spanish monastery in the tenth century. The texts are copies of commentaries on the Apocalypse which were compiled in 786 by a monk named Beatus of Liebana. Ende signed her work with the Latin words pintrix et D[e]i aiutrix, “paintress and helper of god.”
https://www.brooklynmuseum.org/eascfa/dinner_party/heritage_floor/endeThe Girona Beatus is a 10th century illustrated manuscript of the Commentary on the Apocalypse by a Spanish monk, Saint Beatus of Liébana. A theologian and geographer, Beatus’ commentary explained the Apocalypse as depicted in the Book of Revelations and its importance to the state of the Catholic church.
https://exhibits.library.ucsc.edu/exhibits/show/havc-winter2015/religious-books/the-apocalypse–then-and-now
See also: March 3~ Women’s History Month in visual arts
https://schristywolfe.com/2018/03/03/march-3-womens-history-month-in-visual-arts/
The Misty Miss Christy 