1900 / Oil on canvas / No size available / Original held by J. Andrew Darling
Paying Tribute to Smith’s First Known Native American Graduate
https://www.smith.edu/newssmith/fall2003/decora.php
1876 / Marble / 63″x31 1⁄4″x46″ / Smithsonian American Art Museum, DC
c.1900 / Cedar bark, spruce root, paint / 8 1/4″x17″
National Museum of the American Indian, Washington, DC
1972 / Gelatin silver print / Paper: 9 15/16″x8 1/16″ / ©The Irving Penn Foundation
From the exhibition “PROOF: Photography in the Era of the Contact Sheet”
CONTACT SHEET: After a roll of film was developed, the negatives were cut into strips and printed by contact. The 36 exposures of a roll of 35 mm film or the 12 exposures of 2¼ inch film fit comfortably on an 8 x 10 inch sheet of paper. With an 8 x 10 inch enlarger, the same array of negatives could produce a so-called enlarged contact, often measuring 16 x 20 or 20 x 24 inches.
~ https://www.clevelandart.org/exhibitions/proof-photography-era-contact-sheet-collection-mark-schwartz-and-bettina-katz
c.1881 / Softground etching and aquatint / Various collections, incl. Cleveland Museum of Art, OH
Working drawing for the print, from the Cleveland Museum of Art:
https://www.clevelandart.org/art/1941.85.a
https://www.clevelandart.org/art/1941.85.b
2014 / Eight-color screenprint on handmade, hand-painted paper
31″x22″ / Various collections, including Cleveland Clinic, Cleveland, Ohio
“We know that works of art can enhance the patient environment when carefully chosen and thoughtfully curated. Artworks lend comfort, beauty and wit to the environment. They promote innovation by challenging our ways of seeing. Above all, they assert the strength of our humanity in the face of sickness and misfortune.”
~http://www.clevelandclinic.org/lp/power-of-art/
1991 / Acrylic on canvas with fabric collage and African fabric borders
65″x45″ / Emma Amos/Ryan Lee Gallery, New York, NY
Emma Amos, Painter Who Challenged Racism and Sexism
https://www.nytimes.com/2020/05/29/arts/emma-amos-dead.html
2020 / Acrylic on paper / 9 2/5″x7″ / Collection of the artist
1983 / Black paint on Corten steel / 30′ high / 1101 Vermont Avenue NW, Washington, DC
1932 / Oil on metal / 12 1/2″x13 3/4″ / Collection of Mr. and Mrs. Manuel Reyero, New York
The Misty Miss Christy 