The Colonel’s Cabinet by Renée Stout
1991-1994 / Mixed media: carpet, chair, painting, and cabinet with found and handmade objects
67 1⁄2″x60″x50 1⁄2″ / Smithsonian American Art Museum, DC
1991-1994 / Mixed media: carpet, chair, painting, and cabinet with found and handmade objects
67 1⁄2″x60″x50 1⁄2″ / Smithsonian American Art Museum, DC
1990 / Acrylic on canvas / 38 1/4″x28 1/4″
Oklahoma State Art Collection, Oklahoma Arts Council, Oklahoma City, OK
1965 / Oil on canvas / 74 1/8″x69″ / Whitney Museum of American Art, NY, NY
1964 / Screenprint edition of 60 / Sheet: 29 3/4″x36″
Various collections, including Hammer Museum, LA, CA
1950 / Oil on Canvas / 20″x24″ / Private collection
1919 / Oil on canvas / 50″x36 1/2″ / Brooklyn Museum, NY, NY
2010 / Oil on canvas / 39 1/16″x48″ / Jewish Museum, NY, NY
1943 / Oil on canvas / 34 2/5″x47″ / Charleston, Lewes, East Sussex, UK
1930 / Platinum print / 9 13/16″x7 7/8″ / Various collections,
including Toledo Museum of Art, OH
Beginning in the late 1930s, Cadmus, Jared and Margaret French –
and
sometimes Tooker by the mid-1940s – spent summers in Provincetown, Fire Island, and Nantucket. Most of the time was spent in Saltaire, Fire Island, which became the setting of paintings that A. Hyatt Mayor [museum curator, art historian, and writer] once dubbed the ‘Fire Island School.’ ~Cadmus, French, & Tooker, the Early Years
George Tooker (1920–2011), Bathers (Bath Houses) by George Tooker
1950 / Egg tempera on gessoed board / The Huntington, San Marino, CA
Point O’View by Paul Cadmus
1945 / Egg tempera on panel / Williams College Museum of Art, Williamstown, MA
Three women and a Lifeguard by Jared French
ND / Oil on canvas / Private collection
The Moon by Day by Margaret French
1939 / Egg tempera on canvas mounted to board / Private collection