This German artist, one of the leading exponents of Impressionism in Germany, combined his interest in music and drawing in a famous series of portraits of a celebrated Portuguese opera singer.
This American artist began her career in the 1960s as a painter but is best known for her reinterpretation of quilts as art combining painting, fabric, and stories of her life and the lives of others in the black community.
What experimental artist, known for Abstract Figurative and Early Modern styles, was one of the first African-American artists working in California to achieve a national reputation?
What Quebec painter and sculptor was the only Canadian artist involved with the seminal post-World War II École de Paris (School of Paris)?
Which 18th Century Italian painter, from a family of artists, is considered to be among the last practitioners — along with his brothers — of the classic Venetian school of painting?
Which English sculptor and designer, being not as well known as some of his contemporaries, has been described as “the neglected genius of post-war British sculpture”?
This photographer is known for her images of San Francisco’s Haight-Ashbury and for portraits of rock artists in the late 1960s, but she has also photographed landscapes and conceptual projects.
This Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, was a member of the second generation of “Dutch Italianate landscape” painters.
What 16th century Venetian painter had an inscription in his studio that read “Michelangelo’s design and Titian’s Color”, seeking as he did to produce the compositional methods of Michelangelo while using the coloring of Titian?
What 17th century Italian artist’s practice of painting directly from posed models violated the idealism of Renaissance theory by establishing that painting could be an extension of everyday experience?
Which French academic artist was the most popular portrait painter of his day, exhibiting at the Paris Salon for the first time in 1844 and appointed professor at the École des Beaux-Arts in 1864, where he taught until his death?
Which painter, who moved to New York in 1950 as he was dissatisfied with the Japanese contemporary art scene, was the first Japanese-American artist working in the abstract-expressionist style to receive international acclaim?
To achieve accuracy in his enormous Raft of the Medusa, for which Eugène Delacroix posed as one of the figures, this painter used a model of the raft and carefully studied real cadavers.
This photographer was educated as a sociologist and was past thirty when he seriously took up photography; he saw the medium as a means of studying and describing the social conditions around him.