Adam Elsheimer: Born March 18, 1578

DGA505268Adam Elsheimer (1578-1610)~ https://www.nationalgallery.org.uk/artists/adam-elsheimer

The tiny stars were painted almost 400 years ago by Adam Elsheimer, a tailor’s son from Frankfurt, who made it as an artist in Rome. He is a painter long known by experts as a key influence on Rubens and Rembrandt, but his name is unfamiliar to the general public.

Now, she tells me, scientist have confirmed that the constellations in Elsheimer’s miniature painting, The Flight Into Egypt, are clearly recognisable, his shimmering depiction of the milky way the very first of its type, and the position of the moon so accurate that it can be dated to a particular night: June 16, 1609, a year before Galileo published his groundbreaking research. To make his painting, Elsheimer must have observed the night sky through a telescope. His reputation may have become buried in the past, but in his own time he was a man of the future.
FROM http://www.heraldscotland.com/sport/spl/aberdeen/twinkle-twinkle-little-stars-you-ll-need-a-magnifying-glass-to-appreciate-adam-elsheimer-s-groundbreaking-miniature-milky-way-by-moira-jeffrey-1.18082

In this picture, considered the first true moonlit night scene in European painting, Elsheimer reproduced the starry night sky with the Milky Way. Unresolved remains the question whether the artist was aware of Galileo’s research published in 1610 and whether he recorded an actual Roman night sky.
FROM https://hnanews.org/hnar/reviews/six-publications-adam-elsheimer/

Al Jaffee: Born March 13, 1921

Jaffee

…And in 1964 he had an idea. Playboy, Life and other magazines had their lavish color fold-outs, so Mad, he thought, should parody them with a cheap black-and-white fold-in.
From 2008: http://www.nytimes.com/2008/03/30/arts/design/30genz.html?pagewanted=all

Instead of conducting a formal interview, we invited Mr. Jaffee to explain the thought process behind his favorite Fold-Ins from over the years. He certainly didn’t disappoint. Read on to discover how one of the world’s finest optical satirists creates his magic on a monthly basis.
 From 2014: https://www.pastemagazine.com/books/state-of-the-art-mad-magazine-icon-al-jaffee-on-hi/

Al Jaffee, Iconic Mad Magazine Cartoonist, Retires at Age 99 … and Leaves Behind Advice About Living the Creative Life
From 2020: https://www.openculture.com/2020/06/al-jaffee-iconic-mad-magazine-cartoonist-retires-at-age-99.html

Al Jaffee, Now 102, Is Ready to Be Added to Mount Rushmore:
MAD’s longest-serving contributor on comedy, art, and the origins of the “Fold-in.”

From 2023: https://www.vulture.com/article/al-jaffee-interview.html

Al Jaffee on Artnet: https://www.artnet.com/artists/al-jaffee/

(updated 2023)

William Etty: Born March 10, 1787

In the 1820’s, in his early career, Etty received critical acclaim.  An 1826 review for his ‘Choice of Paris’, described him as having talent that “no artist of the present day can equal”.  Etty continued to exhibit at the Royal Academy throughout his career but his work was not universally popular. His nudes were a particular source of criticism.  A review in the Times newspaper said, “nakedness without purity is offensive and indecent, and in Mr. Etty’s canvas is mere dirty flesh”.  Etty was seen by others as the best English painter of the nude, but he has never become a household name.
http://www.historyofyork.org.uk/themes/victorian/william-etty-artist

http://www.yorkartgallery.org.uk/exhibition/previous-exhibition-william-etty-art-and-controversy/

http://www.tate.org.uk/art/artists/william-etty-172

David Hare: March 10, 1917-December 21, 1992

DavidHareBiography~ https://www.guggenheim.org/artwork/artist/david-hare

Exhibition catalogue at Weinstein Gallery, September 2012~
https://issuu.com/weinstein_gallery/docs/david-hare-exhibit-catalogue

Tamarind lithographs~ https://tamarind.unm.edu/?s=David+Hare
New York Times obituary~
http://www.nytimes.com/1992/12/25/arts/david-hare-sculptor-and-photographer-dies-at-75.html

Anthony Caro: March 8, 1924-October 23, 2013

Sir Anthony Caro (1924–2013) played a pivotal role in the development of twentieth-century sculpture. In the early 1960s, he began making brightly painted, abstract steel structures that he positioned directly on the floor, the omission of a pedestal marking a radical shift in the dynamic between work and viewer. In addition to steel, he also produced works in bronze, lead, silver, stoneware, and wood, as well as on paper. Caro’s constant reinvention of the language of abstract sculpture, as well as his influential teaching at St. Martin’s School of Art in London, distinguished him as the successor to artists such as Henry Moore and David Smith, and as an innovative artist in his own right. Resolutely nonfigurative, his sculptures nevertheless operate as analogues for human experience. As art historian Rosalind Krauss has observed, “Caro rendered the human form not as it looked from the outside, but how it felt from the inside, with its relationships subjectively conditioned.”
https://gagosian.com/artists/anthony-caro/


Obituary, NYT~
http://www.nytimes.com/2013/10/25/arts/design/anthony-caro-sculptor-who-discovered-a-path-to-abstraction-dies-at-89.html

William Lyman Underwood (March 5, 1864-Jan. 24, 1929)

canoe

William Lyman Underwood and his brother Loring (1874–1930) were early leaders in nineteenth-century nature photography. Loring, trained as a horticulturist, focused on the cultivated landscapes of parks and estate gardens, while William preferred the wilderness of northeastern America. A renowned public speaker, William gave more than forty lectures a year about his experiences as “a camera hunter,” accompanied by a lantern slide show of his photographs. This run-of-the-century [sic] entertainment instructed audiences about an environment that Underwood feared was vanishing.
http://americanart.si.edu/collections/search/artist/?id=6755

In 1895, William Lyman Underwood, director of a Massachusetts canned-food bookcompany, came to MIT seeking the help of a scientist–any scientist–who could fix the problem of his smelly canned clams. He went straight to the biology department, asking whether anyone could “suggest a cause and, better still, a remedy.” The department chair passed Underwood off to his assistant, Samuel Cate Prescott, advising the chemist to teach the canner a bit about microbes.

During these experiments, Underwood indulged his passion for photography. The March 1898 Technology Quarterly featured several of his actual-size photographs of petri dishes filled with circular spidery blooms of bacillus–each like a telescopic glance at a pockmarked moon–as well as some strikingly clear slides of microörganisms at 1,000 times their actual size.
https://www.technologyreview.com/s/412221/two-happy-clams/

bear“Wild brother; strangest of true stories from the north woods”~
https://archive.org/details/wildbrotherstran00undeiala
Underwood’s Deviled Ham: The Oldest Trademark Still in Use~
http://www.smithsonianmag.com/arts-culture/underwoods-deviled-ham-the-oldest-trademark-still-in-use-119136583/

Howard Pyle: March 5, 1853-November 9, 1911

Today, Howard Pyle is not nearly as well known as his images. However, he was one of America’s most popular illustrators and storytellers at a time when top illustrators were celebrities. At his death, he was designated by the New York Times “the father of American magazine illustration as it is known to-day.” His illustrations appeared in magazines like Harper’s Monthly, Collier’s Weekly, St. Nicholas, and Scribner’s Magazine, gaining him national and international exposure. And because magazines so influenced the nation’s visual culture, Pyle’s images and stories—including American history and tales of pirates and medieval adventurers—reached millions, helping to shape the American imagination.
https://www.delart.org/collections/howard-pyle/about-howard-pyle/

Howard Pyle: Born: March 5, 1853 | Died: November 9, 1911~
https://en.wikipedia.org/wiki/Howard_Pyle

Howard Pyle: 1853–1911
https://americanillustration.org/project/howard-pyle/

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