Al Jaffee: Born March 13, 1921

Jaffee

…And in 1964 he had an idea. Playboy, Life and other magazines had their lavish color fold-outs, so Mad, he thought, should parody them with a cheap black-and-white fold-in.
From 2008: http://www.nytimes.com/2008/03/30/arts/design/30genz.html?pagewanted=all

Instead of conducting a formal interview, we invited Mr. Jaffee to explain the thought process behind his favorite Fold-Ins from over the years. He certainly didn’t disappoint. Read on to discover how one of the world’s finest optical satirists creates his magic on a monthly basis.
 From 2014: https://www.pastemagazine.com/books/state-of-the-art-mad-magazine-icon-al-jaffee-on-hi/

Al Jaffee, Iconic Mad Magazine Cartoonist, Retires at Age 99 … and Leaves Behind Advice About Living the Creative Life
From 2020: https://www.openculture.com/2020/06/al-jaffee-iconic-mad-magazine-cartoonist-retires-at-age-99.html

Al Jaffee, Now 102, Is Ready to Be Added to Mount Rushmore:
MAD’s longest-serving contributor on comedy, art, and the origins of the “Fold-in.”

From 2023: https://www.vulture.com/article/al-jaffee-interview.html

Al Jaffee on Artnet: https://www.artnet.com/artists/al-jaffee/

(updated 2023)

Dame Eva Turner: Born March 10, 1892

A dramatic soprano with a voice of mammoth proportions, Eva Turner, though scarcely neglected in her native country, enjoyed many of her greatest successes abroad. Most closely identified with the title role in Turandot (which she first sang in Brescia only a month after its premiere), she brought to all of her roles a voice of both enormous size and great cutting power, topped with an unflagging ease in the highest register. While not always an illuminating actress, she approached all of her work with seriousness of purpose, thorough integrity and no small measure of excitement.
Biography and interview here~ http://www.bruceduffie.com/evaturner.html

William Etty: Born March 10, 1787

In the 1820’s, in his early career, Etty received critical acclaim.  An 1826 review for his ‘Choice of Paris’, described him as having talent that “no artist of the present day can equal”.  Etty continued to exhibit at the Royal Academy throughout his career but his work was not universally popular. His nudes were a particular source of criticism.  A review in the Times newspaper said, “nakedness without purity is offensive and indecent, and in Mr. Etty’s canvas is mere dirty flesh”.  Etty was seen by others as the best English painter of the nude, but he has never become a household name.
http://www.historyofyork.org.uk/themes/victorian/william-etty-artist

http://www.yorkartgallery.org.uk/exhibition/previous-exhibition-william-etty-art-and-controversy/

http://www.tate.org.uk/art/artists/william-etty-172

David Hare: March 10, 1917-December 21, 1992

DavidHareBiography~ https://www.guggenheim.org/artwork/artist/david-hare

Exhibition catalogue at Weinstein Gallery, September 2012~
https://issuu.com/weinstein_gallery/docs/david-hare-exhibit-catalogue

Tamarind lithographs~ https://tamarind.unm.edu/?s=David+Hare
New York Times obituary~
http://www.nytimes.com/1992/12/25/arts/david-hare-sculptor-and-photographer-dies-at-75.html

Anthony Caro: March 8, 1924-October 23, 2013

Sir Anthony Caro (1924–2013) played a pivotal role in the development of twentieth-century sculpture. In the early 1960s, he began making brightly painted, abstract steel structures that he positioned directly on the floor, the omission of a pedestal marking a radical shift in the dynamic between work and viewer. In addition to steel, he also produced works in bronze, lead, silver, stoneware, and wood, as well as on paper. Caro’s constant reinvention of the language of abstract sculpture, as well as his influential teaching at St. Martin’s School of Art in London, distinguished him as the successor to artists such as Henry Moore and David Smith, and as an innovative artist in his own right. Resolutely nonfigurative, his sculptures nevertheless operate as analogues for human experience. As art historian Rosalind Krauss has observed, “Caro rendered the human form not as it looked from the outside, but how it felt from the inside, with its relationships subjectively conditioned.”
https://gagosian.com/artists/anthony-caro/


Obituary, NYT~
http://www.nytimes.com/2013/10/25/arts/design/anthony-caro-sculptor-who-discovered-a-path-to-abstraction-dies-at-89.html

Sarah Caldwell: Born on March 6, 1924

American opera visionary Sarah Caldwell founded the Opera Company of Boston in 1958. The company’s principal prima donna was Beverly Sills, and Placido Domingo was an unknown young tenor when he first sang with the company. Caldwell died on March 23 at the age of 82.
http://www.npr.org/templates/story/story.php?storyId=5311751

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Sarah Caldwell, impresario of Boston opera, dead at 82

Biography on Encyclopedia.com

Gioachino Rossini/“Il Barbiere di Siviglia”/Sills, Titus, Gramm, Price, Ramey & Sarah Caldwell/New York City Opera

Discography

Kiri Te Kanawa: Born on March 6, 1944

The internationally famed soprano, Dame Kiri Te Kanawa, was born Claire Mary Teresa Rawstron in the small New Zealand seaside town of Gisborne, where Captain James Cook first made landfall. Just at the edge of the international date line, it prides itself as the first city in the world to greet the sun. Here, the birth child of a native Maori man and a woman of European extraction was adopted at five weeks of age by a local couple, Tom and Nell Te Kanawa, he also a Maori and she with family ties to the British Isles. The Te Kanawas named their daughter Kiri, the Maori word for bell. She was to be their only child.

Her first performances were on a little stage jerry-rigged in the Te Kanawa’s house, complete with a curtain; “the curtains would come back,” she recalled, “and I’d get up and sing.” Without a television in the home, music and singing quickly became the primary entertainment. But although her mom played piano, from early on, Kiri eschewed command performances: “I was rather sort of miffy about it even then. I’d only sing when I felt like it.”

http://www.achievement.org/autodoc/page/tek0bio-1