Black History Month in Visual Arts~ February 9

The Blue Nile by Palmer Hayden

1964 / Watercolor, gouache, and pencil on paper / 21 1/2”x27 7/8″ / MoMA, NYC

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See also: February 9~ African-American visual artists
https://schristywolfe.com/2018/02/09/february-9-african-american-visual-artists/

Black History Month in Visual Arts~ February 8

Miss Bailey with the African Shawl by Elise Forrest Harleston

(By happenstance, today is the birthday of Elise Forrest Harleston)

1930 / Photograph / Dimensions unknown
Schomburg Center for Research in Black Culture, The New York Public Library

[The painter Edwin Augustus] Harleston often used photographs taken by Elise as source material for his portraits. One example of this practice is Miss Sue Bailey with the African Shawl, widely regarded as one of the artist’s finest works.

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See also: February 8~ African-American visual artists
https://schristywolfe.com/2018/02/08/february-8-african-american-visual-artists/

Black History Month in Visual Arts~ February 7

Traveling (Lead Kindly Light) by William Edouard Scott

1918 / Oil on canvas / 22 1/8”x18” / Huntington Museum of Art, WV

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See also: February 7~ African-American visual artists
https://schristywolfe.com/2018/02/07/february-7-african-american-visual-artists/

Black History Month in Visual Arts~ February 6

Krazy Kat by George Herriman

No date / Ink, pencil, and watercolor on paper / 13 1/2”x14 1/2” / Private collection

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See also: February 6~ African-American visual artists
https://schristywolfe.com/2018/02/06/february-6-african-american-visual-artists/

Black History Month in Visual Arts~ February 5

Interiör med Kortspelande Sällskap
by Joseph Clinton Devillis

No date / Oil on canvas / 19 1/4”x23 5/8” / Private collection

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See also: February 5~ African-American visual artists
https://schristywolfe.com/2018/02/05/february-5-african-american-visual-artists/

Black History Month in Visual Arts~ February 4

American Mixture of Ethiopian Race by Mary A. Bell

Before 1938 / Crayon on paper / 20 1/2”x15 1/2” / Carl Van Vechten papers,
Beinecke Rare Book and Manuscript Library, Yale, New Haven, CT

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See also: February 4~ African-American visual artists
https://schristywolfe.com/2018/02/04/february-4-african-american-visual-artists/

Black History Month in Visual Arts: February 3

Bust of John Young Mason by Eugene Warburg

Mid-19th century / Marble / 23”x15”x10” / Virginia Historical Society, Richmond, VA

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See also: February 3~ African-American visual artists
https://schristywolfe.com/2018/02/03/february-3-african-american-visual-artists/

Black History Month in Visual Arts~ February 2

Henry Bibb by Patrick H. Reason

1849 / Illustration for “Narrative of the Life and Adventures of Henry Bibb, An American Slave, Written by Himself”
Various collections, incl.
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division

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See also: February 2~ African-American visual artists
https://schristywolfe.com/2018/02/02/february-2-african-american-visual-artists/

Black History Month in Visual Arts~ February 1

William Williams Powder Horn attributed to John Bush

c.1755 / Pine wood, iron, pigment / 3 5/8”x13 1/4” / Historic Deerfield,
The William H. Guthman Collection of American Engraved Powder Horns, Deerfield, MA

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Among the most influential of carvers was John Bush…Bush was born in 1725 or 1726, in Shrewsbury (now Boylston), Mass., the son of a free black farmer and property owner. He served in the Massachusetts Militia from 1747 until Aug. 9, 1757, when he was captured during the surrender of Fort William Henry by Indians allied with French forces. Despite efforts made by Bush’s father to trace his son’s whereabouts, John Bush was never heard from again.

“Bush’s calligraphic style, his formats and his decoration became the basis for the Lake George school of the 1750’s,” Mr. Guthman writes, referring to one of the major groups of artists identified in his research. “Thus an otherwise obscure black farmer can with some justification be regarded as one of the founders of an entire tradition of American folk art.”  ~https://www.nytimes.com/1993/11/14/nyregion/once-a-tool-of-battle-the-powder-horn-becomes-an-art-object.html

See also: February 1~ African-American visual artists
https://schristywolfe.com/2018/02/01/february-1-african-american-visual-artists/

February 28~ African-American visual artists

Amy Sherald (Born 1973)
African-American painter known for her life-size portraits of Black Americans
https://nmwa.org/explore/artist-profiles/amy-sherald

The Rabbit in the Hat / 2009 / Oil on canvas / 54”x43”

 

 

Kehinde Wiley (Born 1977)
African-American artist who quotes historical images in a modern context
https://www.britannica.com/biography/Kehinde-Wiley

Shantavia Beale II / 2012 / Oil on canvas / 60”x48”