Studio Conversation I by John Wonnacott
1992–4 / Oil paint on fiberboard / 96”x48” / Tate Britain
Untitled by Kerry James Marshall
2009 / Acrylic on PVC panel / 61 1/8”x72 7/8”x3 7/8” / Yale University Art Gallery

1992–4 / Oil paint on fiberboard / 96”x48” / Tate Britain
2009 / Acrylic on PVC panel / 61 1/8”x72 7/8”x3 7/8” / Yale University Art Gallery
1982 / Acrylic, oilstick, and paper collage on canvas, on tied wood supports / 60”x60” / The Broad, Los Angeles, CA
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1987 / Lithograph and collage, color / 22”x29” / Edition of 25


Liebe [Love] / 1931 / Drawing, collage / 8.5”x8.25” / National Gallery of Australia
Hannah Höch was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. FROM monoskop.org
While she may have been remembered by her bombastic Dada colleagues for her “sandwiches, beer and coffee”, her lifetime of artistic practice reveals a vital and critical woman who could magically collide disparate reproductions of needlepoint patterns, political figures, film stars, animal life and non-Western artifacts into explorations of androgyny, Aryan activity, gender roles, imperialism, race and lesbianism. FROM frieze.com
Hoch began the Love series as early as 1923, and worked on it intermittently through about 1931. Each of the six or seven works in this series depict sexuality in some way. My understanding is that the following pieces were in this series:
Love in the Bush (1925)
Peasant Wedding Couple (1931)
Love (1926)
Love (1931)
The Coquette I (1923-1925)
The Coquette II (c.1925)
The Large Step (1931)
Lee Krasner (1908-1984), One of the first generation Abstract Expressionist painters
https://jwa.org/encyclopedia/article/krasner-lee
Gold or Silver / 1954 / Oil and paper collage on Masonite / 48”x61 3/4”

Remedios Varo (1908-1963)
Spanish-Mexican painter known for her contributions to Surrealism and Symbolism
https://www.britannica.com/biography/Remedios-Varo
Modernidad (Modernity) / 1936 / Pencil, gouache and graphite on plywood / 31”x19”
Mark Bradford (Born 1961), African-American painter and mixed-media collage artist
https://www.guggenheim.org/artwork/artist/mark-bradford
Across 110th Street / 2008 / Mixed-media collage on canvas / 102”x144”

Mickalene Thomas (Born 1971), African-American mixed-media artist, filmmaker, and curator
https://nmwa.org/explore/artist-profiles/mickalene-thomas
Barbara Chase-Riboud (Born 1939)
African-American visual artist, novelist, and poet
https://tyler.temple.edu/alumni/barbara-chase-riboud
Malcolm X #3 / 1969 / Polished bronze, rayon, and cotton / 8’ 6 1/2”x3’ 1”x2’ 8”
Purvis Young (1943-2010)
African-American artist blending painting/drawing/collage
https://www.artforum.com/news/purvis-young-1943-2010-25381
Clarence Matthew “Matt” Baker (1921-1959)
Credited as the first successful African-American comic book artist
http://cbldf.org/2016/02/profiles-in-black-cartooning-matt-baker/
Betye Saar (Born 1926)
American-American artist known for assemblages and installations
https://hammer.ucla.edu/now-dig-this/artists/betye-saar/
https://americanart.si.edu/blog/eye-level/2010/02/896/wishing-winter
Barbara Kruger ~ By Christopher Bollen ~ Published 02/28/13Kruger’s spectacular corpus, spanning four decades, is often described as political—and it is. But just as much it creates these moments of internal identity confusion in which we don’t know if we are acting as victim, oppressor, or witness. Usually, we are all of the above.
…
Kruger famously—and perhaps, at first, inadvertently—got her training as an artist the hard way: through a full-time job as a magazine designer at Condé Nast, starting out at Mademoiselle. And while some of those early layout techniques of bold graphics inform her work, a pulsating visual-linguistic triple-take keeps all of her pieces so alive that she’s become known for her own immediately identifiable, authoritative style—even if authority is what is being questioned in the authoritative typeface.

• http://www.arthistoryarchive.com/arthistory/feminist/Barbara-Kruger.html
• http://www.smithsonianmag.com/arts-culture/barbara-krugers-artwork-speaks-truth-to-power-137717540/?all